Once the lights dim in the main auditorium at Camelot Cinemas, eyes can’t help but fixate on the glimmering digital images that flicker across the towering 60-foot screen. Nestled comfortably in reclining chairs, audience members dig into buckets of popcorn and gape at the latest blockbuster films while a THX-certified sound system croons a crystal-clear soundtrack. Theatergoers enjoy a similar experience in Camelot Cinemas’ other auditoriums, where they can laugh through cheerful romantic comedies, find the courage to watch petrifying horror flicks, and fight back sobs during the heartwarming premovie message about turning off your cell phone.
The 2011 Blues, Brews, and BBQ Festival nourishes audience members with a red-hot menu of living legends. Unstoppable at the age of 85, B.B. King extracts heart-bending notes from his famous six-string, Lucille, with the buttery ease and soulful virtuosity of a master sculptor whittling a balsa-wood action figure. Sharing the stellar show bill of musical immortals, fellow blues master Buddy Guy defies the laws of dexterity with his legendary and highly influential ax skills. Mac Arnold & Plate Full O' Blues, Chris Watson Band, and other tunesmiths add their own aural ingredients to the melodious mix to help slather eardrums in raucous, 12-bar sauce. Lawn seaters are welcome to bring along lawn chairs and blankets to avoid having to sit on the grass like a common golf ball.
As they await the opening credits of The Goonies, The Birds, or perhaps the newest blockbuster release, moviegoers peruse a menu of hot wings, personalized pizzas, and oven-hot brownies topped with ice cream. Upon making a decision, the guest scrawls their chosen meal or snack onto an order card, and places that card in the designated spot on his or her table. A server stealthily delivers the requested soda, breadsticks, or honey chipotle wings while the film plays. Audience members can keep ordering food for the duration of the film, especially if an emotional scene demands an bowl of ice cream to catch stray tears. Just before the credits start to roll, the server silently deposits the check, and patrons digest as the tale winds to a close.
Cinebarre combines a slate of first-run movies with a courteous, alcohol-enhanced atmosphere and crave-worthy kitchen concoctions. The menu features items with movie-inspired names, allowing cinephiles to pick a dish that aligns with their preferred genre or favorite Bill Paxton performance. Take teeth to the made-from-scratch pizza playground with the Chicken Run, topped with grilled chicken, caramelized onions, cheese, and barbecue sauce ($13). The Blue Velvet Burger––ground in-house––piles a juicy half-pounder with blue cheese, buffalo hot sauce, burger toppings, and a kick of chipotle mayo ($10). Appetizers, such as Some Like It Hot Wings ($9) and Lord of the Onion Rings ($7), make arduous journeys to melt into a copious selection of wine and local craft beers, as well as mixed drinks, including the Lolita Margarita ($6).
With an arsenal of informative magazines, elegant photographs, and illuminating documentaries, National Geographic has inspired planetary responsibility and natural wonderment for more than 120 years. Their latest filmed adventure, The Last Lions, ushers viewers into the wetlands of Botswana's Okavango Delta, where a lioness named Ma di Tau and her cubs fight for their survival. From fleeing raging fires and cub-killing rival prides to wading through crocodile-infested rivers and the supermarket at rush hour, this family suffers perils that leave audiences touched and awestruck. Crafted by award-winning filmmakers, Dereck and Beverly Joubert, and narrated by Jeremy Irons, The Last Lions aims to raise awareness of dwindling big-cat populations while sharing a compelling story of hope. The film is rated PG for depictions of the food-chain cycle without the accompaniment of an Elton John song.
Since 1936, the historic Gem Theatre has moved movie lovers to laughter and tears with films in an elegant, comfortable single-screen vintage theater. Peruse current showtimes and choose a first-run film, which may include a romantic romp, a superhero adventure, an independent feature, or Casablanca II: Electric Boogaloo. Guests pick up their sodas and popcorn at the concessions stand in the carpeted lobby, whose ornate table lamps cast soft light on potted plants and flowers. In the red and gold 916-seat amphitheater, upholstered floor seats beckon audience members and balcony perches provide a sky-high view behind marbled wood rails. Before the film, guests watch wrought-iron vines curl around colorful birds in sculptures flanking the screen. Sumptuous gold curtains hide the big screen until showtime, allowing staff members to finish reenacting each film’s climactic scene in private.