Kreativ Imaging proudly brandishes a 2010 Best Of badge from The Knot—the comprehensive wedding-preparation network as well as membership to both the Professional Photographer's Association and the National Association of Photoshop Professionals. Its team of lens specialists demonstrates professionalism and technical expertise during each photo shoot and work to infuse shoots with artistic vision by taking advantage of creative angles. Afterward, patrons receive instant access to review and order photos from an online display database. In addition to wedding, business, and graduation photo packages, Kreativ Imaging provides videography and graphic-design services, as well as photo retouching, which can enhance snapshot clarity and minimize the presence of scene-stealing apparitions.
Brian Masserman shot his first wedding at 15, armed with a Kodak Instamatic. Though it wracked his nerves to wait a week for his photos to develop, he knew he'd found a calling. A member of the Professional Photographers of America for more than 20 years, he now captures special occasions and intimate moments after consultations in which he tailors his photographic style to his customers’ needs, following his personal mantra: "There is no such thing as a perfect photograph, but there are such things as perfect moments."
During the more than 600 weddings they've photographed, Brian and his two staffers have varied their approach, sometimes snapping candid pictures of revelers and other times relying on a more journalistic feel. His skills stretch to include family portraiture and commercial work, and his senior portraits crackle in black and white, color, or mixtures of the two. After photo-shoots, he employs a keen sense of design to help customers to decide their print style, and even travels to their homes to find a place to hang their prints.
Brian always seeks to develop concrete relationships with customers and has even chronicled the milestones of one client from her bat mitzvah to her wedding day. To share his expertise, he hosts intensive workshops in which he drills students in camera settings, composition, and abbreviated editing techniques. He and his staff believe in the visual power of physical prints and frame and restore photos and love letters written on cheeseburger wrappers. They also print photographic images onto more eclectic material such as canvas, wood, and aluminum.
Big Sound and Picture’s green screen allows subjects to pose in front of any imaginable background—and the screen’s sandwich technology expands the nearly limitless options. This technique allows editors to “sandwich” subjects inside background tableaus, rather than only positioning them in front of them. This means subjects can pose standing in front of the Eiffel Tower, walking down a virtual staircase, or sprawling across the hood of a Lamborghini while a hologram car dealer runs their credit check in the background. The photography team incorporates this technology into shoots of all styles at their private home studio, capturing everything from carefree family portraits to risqué boudoir sessions.
Founder Rebecca Wolf also has a background in radio, and she draws on it to complement photography services with DJ offerings. She and her handpicked team of DJs spin at weddings, parties, and other special events, playing jams or backing tracks for karaoke performances.
Whether she’s snapping shots of Lil Wayne’s sparkling grin, the urban landscape of Detroit, or the Arab American National Museum, photographer Asia Hamilton inspires people to view the world from a new perspective. Her photography raises awareness on issues of waste and consumption, and strives to unmask the beauty hidden in a cityscape.
When she’s not on a globetrotting, eye-opening adventure, she’s teaching aspiring photographers at her studio, Nozomi Live Photography & Design. She demystifies photography concepts such as lighting and composition before taking shutterbugs out on urban excursions, where they can practice techniques in the bustling city. She helps her protégés feel more comfortable using their cameras’ manual settings, making the picture-snapping devices feel like an extension of their bodies without duct tape or cybernetic surgery.
Photographer Amy Britton suavely aims her lens toward infant, portrait, and glamour shoots within a well-lit, 2,200-square-foot studio. Preserve memories for children, grandchildren, and their wind-powered robo-children with a 30-minute photo shoot, during which children, families, and pets are welcome and get help expressing themselves through playing with Britton. After the session, clients flock back to the studio on a separate occasion to review every dimple-capturing image with Britton, selecting which one will be transferred onto a 12"x12" canvas print. After clients clear their walls of lingering shadow puppets in preparation for the print's arrival, they may pick up the finished product from the studio.