Designed by celebrated architect Frank Gehry, the Ohr-O'Keefe Museum of Art exalts the work of George E. Ohr, a ceramic artist and moustache enthusiast known as the "Mad Potter of Biloxi." After it was destroyed in 2005 by Hurricane Katrina, the campus reopened in 2010 amidst a grove of ancient live-oak trees, featuring a series of six aesthetically impressive pavilions that include a welcome center, a gallery of African-American art, and an interpretive center inside a reconstruction of the house of emancipated craftsman Pleasant Reed. Current exhibitions include collections from some of the art world's biggest names, including Andy Warhol and ceramic sculptor Jun Kaneko, as well as selections from Ohr's Gulf Coast collection, which inspired the American Modernist movement and several MLB baseball teams to wear ceramic pots instead of baseball hats.
Jefferson Davis may have been president of the Confederate States of America, but he didn't spend his whole life as a public figure. In his later years, he retired to the lush Beauvoir property, a cottage, cemetery, and collection of gardens. There he wrote, read, and relaxed until he passed away in 1889. Today, the property commemorates his complex legacy. Modern visitors explore Davis's library and rose garden, view reproductions of his kitchen and cistern, and even meet him?or at least, a life-size bronze statue of him posed with his son and grandson.
With its imposing, slate-gray façade, the 170-year-old U.S. Custom House may be the last building in which you’d expect to hear the delighted squeals of children. But behind the steely columns, the building erupts into 23,000 square feet of colorful displays and fluttering, scuttling insects, courtesy of the Audubon Society and Insectarium. In the Asian garden, hundreds of butterflies dodge shafts of sunlight to alight on tropical ferns and the shoulders of young visitors. And at the Insects of New Orleans gallery, visitors can ogle the pink katydids, cockroaches, and lovebugs that contribute to the city’s heritage.
These bug-filled displays are all part of the insectarium’s mission to conserve Louisiana’s indigenous species and inspire stewardship in its visitors. While adults can sate their curiosity with the vast array of exotic species, curators gear many displays toward young guests by making them lighthearted and interactive: the Field Camp’s entomologist answers questions about how to collect bugs or break up flea-circus strikes, and at Bug Appétit, chefs dole out insect-filled delicacies to adventurous palates.
Preservation is as much a priority as presentation at LeMieux Galleries, which is why the displays that the shop crafts from thousands of frames and acid-free mats often involve leaving a buffer of air between delicate paintings and glass. Framers there ensure that stolen copies of the Declaration of Independence can be secretly enjoyed for generations to come with their careful framing techniques, which can preserve the natural edge of paper and safeguard the stitches of antique needlework. In more than a quarter century in the business, the store has displayed everything from souvenir magazines to jerseys within their frames, the styles of which range from sleek contemporary to the ornate gold moulding that grows unbidden in French palaces. LeMieux Galleries also exhibits sculptures, paintings, and ceramics by artists from the Gulf South.
Starting at the elegant white columns at the New Orleans African American Museum, the Tremé walking tour shepherds groups of up to 23 wanderers through the culturally significant neighborhood. For two hours every Monday, Friday, and Saturday, guests traipse through 300 years of richly saturated history, learning more effectively than sipping the contents of a blender full of history textbooks. Patrons tread across original handmade bricks that cover the ground in parts of one of the oldest African American communities. They also meander through Congo Square and St. Augustine Church as the knowledgeable guide sprinkles in anecdotes about the rise of jazz, creole architecture, and the New Orleans civil-rights movement.