Greg Frewin's list of accomplishments—which includes winning numerous awards and playing to international audiences—is so lengthy even he would have trouble making it disappear. Greg makes jaws drop and heads scratch with a fast-paced, Vegas-style magical review. The sleek, lavender-hued theatre seats more than 600 patrons for a family friendly show that features unreal illusions and exotic animals, including Greg's pet tigers, Boomer, Cashmere, and Shimira. As the curtain goes down, show-goers will leave the auditorium delighted by dexterous sleights-of-hand, which, like the actual spelling of Saskatchewan, will remain forever a mystery.
Made up of amateurs, students from Wilfrid Laurier University, and seasoned professionals, the 34-member Kitchener-Waterloo Chamber Orchestra is truly a community ensemble. And the group takes its cultural responsibility seriously—each season, they delve into the lesser known works of beloved 18th and 19th century composers to unearth and play forgotten gems. Before presenting pieces by such luminaries as Beethoven and Mozart, the orchestra invites audiences to pre-concert performances from a small ensemble.
DJ Depot equips disc jockeys with all the headphones, turntables, mixers, and amps necessary to create thrilling electronic soundtracks for house parties and nights on the town. Musicians amplify their mixes with powered and non-powered speakers and subwoofers, and spice up their sound with samplers, multi-track recorders, and monitors. Students can gain the basic skills necessary for a successful spinning career, or sign up for intensive 10-week courses to master the advanced techniques of mixing, scratching, or turning into a cyborg.
It's fitting that Alleyway Theatre makes its home in a renovated bus depot—the venue is a destination for local talent. The company focuses on Buffalo artists, frequently staging world premieres and fostering the work of homegrown playwrights. Freshly penned plays and acclaimed shorts entertain audiences in the historic venue, which sports the curved walls, stainless steel trimmings, and distinctive mustache of the Art Moderne architectural style.
Originally a whimsical children's book, and later a popular Disney film, the Broadway stage production of Mary Poppins administers a sugar-spooned dose of dancing chimney sweeps and aerial stunts to audiences on its national tour. Unlike some English nannies who instill discipline with a stiff upper lip and an even stiffer pitchfork, Mary Poppins teaches children with a kinder, albeit unorthodox, arsenal of happy work songs and bottomless carpetbags. Welsh native Caroline Sheen brings the practically-perfect-in-every-way babysitter to life in a nearly three-hour (including intermission) Disney dance-tacular that combines favorite movie songs with all-new numbers and forgotten scenes.
The historic 85-year-old Riviera Theatre welcomes moviegoers to experience the show-stopping splendor of an original 1920s movie palace, boasting no less than 1,150 seats and myriad perching possibilities for taking in a roster of Streisand's most beloved films. Beginning June 30 with What's Up, Doc? and concluding with The Way We Were on September 1, the film series presents nine of Babs's best flicks for ultimate fan perusal and trivia-night upsets at Fran Drescher's house. Bask beneath the crystal-laden chandelier on July 21 and August 11 to chortle along to Barbra's portrayal of famed comedienne Fannie Brice in both Funny Girl and Funny Lady respectively, and mark your calendar for July 7, when A Star is Born examines Streisand's brief foray into celestial midwifery. Pummel your senses in The Main Event (July 28), extend greetings to Hello, Dolly! (August 4), witness the charged banter during The Owl and the Pussycat (August 18), and don cloudless glasses during On a Clear Day You Can See Forever(August 25).