More than 100 years ago, the Ford Piquette Avenue Plant was on the cutting edge of innovation—the first 12,000 Model Ts were made on its premises. But over the years, the building became neglected, and in 1997, afraid that the bulldozers were lurking around the corner, ready to raze the premises, a committee was formed to investigate saving the plant. The Model T Automotive Heritage Complex purchased the New England–mill-style structure two years later, transforming it into an auto museum and National Historic Landmark that still has its original red bricks. Today, the museum is one of the oldest automotive plants open to the public in the city of Detroit.
The venue’s exhibits chronicle not only Ford’s rise to the forefront of the automotive industry, but also lesser known tales. Visitors can learn about other car models built there, such as the Model N, and about other automakers, such as Wayne and Brush. They can also learn about the lives of 20th-century auto-factory workers, who—with six-day workweeks composed of 10-hour days—built cars assembly-line style or, before cars, horses.
On November 19, 1928, the Detroit Historical Society opened the Detroit Historical Museum in a one-room suite on the 23rd floor of the Barlum Tower, earning it the nickname of highest museum in the world. These days, Detroit’s Cultural Center accommodates the museum in an 80,000-square-foot space, where interactive exhibits preserve more than 300 years of city history. Frontiers to Factories traces Detroit's transformation from French-frontier outpost to industrial city, while America's Motor City celebrates its automotive dominance with a changing display of classic vehicles and a 1903 Model T that guests can sit in. Streets of Old Detroit brings the 19th century to life with recreated cobblestone streets that wind past stores of the era such as a five-and-dime, a soda shop, and a barbershop for powdered wigs.
Thanks to recent renovations, the society has expanded its chronicle of Detroit with three new permanent exhibitions. Detroit: The Arsenal of Democracy covers the ways the city's industrial infrastructure adapted to demands of World War II, and The Gallery of Innovation includes videos about renown innovators and hands-on activities of trial-and-error. As The Allesee Gallery of Culture examines the city's cultural history, its Kid Rock Music Lab lets visitors create and share their own music using interactive displays. Outside, the Detroit Legends Plaza honors the city's sports, entertainment, and media legends with cemented handprints and signatures from stars such as Lily Tomlin and Martha Reeves.
The Detroit Science Center lets aspiring engineers and scientists get their tiny hands on more than 200 exhibits that explore space, biology, and physical science. Glimpse the mysteries of space travel or learn the fundamentals of electricity and magnetism that fuel online dating logarithms. A virtual universe of swirling stars and planets awaits inside the Dassault Systèmes Planetarium, where live presenters lead you on an intergalactic adventure followed by earthbound questions and answers. The Chrysler IMAX Dome theatre brings state-of-the-art technology and cinematronics to the 67-foot wide, four-story tall screen. The theatre immerses visitors in a rotating schedule of shows; currently, guests can explore Arabia, visit the Hubble, or allow the adrenalin-pumping excitement of NASCAR in digital surround to vroom off the screen and into unlicensed eyeballs.
Standing in the shadow of Hitsville USA—the original home of Motown Records' offices and the studio that launched the careers of Stevie Wonder and Smokey Robinson—Motown Museum preserves the legacy of the startup that turned an $800 loan into soul’s most successful label. Founded in 1985, the museum's immersive exhibits trace the roots and eventual impact of Motown on popular culture, demonstrating how Gordy achieved the signature sound or how James Jamerson challenged and beat the devil in a bass-playing contest. Visitors get a chance to sing into the innovative Echo Chamber—a hole cut into the ceiling that created the reverb sound synonymous with hit recordings such as "Dancing in the Street." A steady stream of photographs and other rhythm-and-blues memorabilia leads amblers into “Studio A,” which contains the original instruments and equipment used to record The Jackson Five and Gladys Knight during Motown’s Detroit era. Crowds gather around Michael Jackson’s signature glove-and-hat ensemble, which he himself donated to the museum.
Located in Detroit's Cultural Center, the Charles H. Wright Museum of African American History is one of the world's largest institutions dedicated to the African-American experience. Covering 120,000 square feet, the museum houses five rotating exhibitions, including Ain't Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment, and five permanent exhibitions, such as the 22,000-square-foot core exhibit And Still We Rise: Our Journey Through African American History and Culture. Also at the museum are the Louise Lovett Wright Library & Archives and the Ford Rotunda, which boasts a 55-foot-high glass dome that dumps artificial snow when shaken by giants.
As the sun rises and sets on the shore of Lake St. Clair, it illuminates a historic mansion surrounded by 87 acres of gardens, meadows, and lagoons. The light catches the elm and sugar maple trees, blue lilacs, and other local florae, treating guests to the same idyllic views that Edsel Ford—the only son of Henry Ford—used to enjoy with his wife, Eleanor Clay Ford, and their children. Built in 1929 and now open to the general public, this historic house and its surrounding grounds give visitors a glimpse into the everyday lives of one of America's most prominent families.
Edsel and Eleanor Ford were renowned for their progressive design tastes and support of the arts, and these forward-thinking sensibilities are readily apparent throughout their Gaukler Point home. Detroit architect Albert Kahn chose to characterize it as a cozy escape from city life by recreating the aesthetic of a Cotswold village cottage, complete with stone roofs, vine-covered walls, and lead-paned windows. But the Ford's decidedly modern style is still visible—for every antique and stuffed and mounted Model T, guests can also spot the sleek, custom-made furnishings and leather-paneled walls recommended by interior designer Walter Teague. The acres outside those walls were shaped with equal care by renowned landscape architect Jens Jensen, who chose to accentuate the area's natural beauty without giving any indication of manmade interference.
Of course, the Ford House would be incomplete without the invention that made the Ford name—the automobile. Reflecting that legacy and Edsel's own passion for designing vehicles, the garage houses a 1934 Brewster Town Car, a 1938 Lincoln K Brunn Brougham, and a 1941 Lincoln Continental Cabriolet, each of which was customized to Edsel's specifications. The crown jewel of the exhibited collection—when it is not being displayed at car shows and museums across the country—is Edsel's treasured 1934 Model 40 Special Speedster, a vehicle that he personally spent years conceptualizing and then refining into a sleek, aluminum-bodied roadster.
For more than 75 years, Cranbook Academy of Art has enjoyed a reputation as one of the nation's leading independent graduate schools for art and design. Renowned graduates such as designer Florence Knoll, architect Hani Rashid, and fiber artist Nick Cave all honed their craft on the verdant 315-acre campus, where crammed lecture halls are replaced with small studios and students enjoy one-on-one mentorships with the Artists-In-Residence. Designed to inspire creativity as much as possible, the academy supplies each student with his or her own private studio space, and allows artists to design their own program of study without formal boundaries or beret-based dress codes.
The Cranbrook campus is a work of art in itself, owing the design of its original buildings to famed Finnish architect Ellel Saarinen. The academy further inspires its graduate students and the surrounding community with a museum that grew out of the eclectic personal collection of George Booth in 1930, and has grown to focus on the art, craft, design, and architecture of the 20th, 21st, and 22nd centuries.