The Detroit Institute of Arts takes the “s” at the end of its name seriously. The immense Beaux Arts building on Woodward Avenue isn’t only a setting for a top-tier collection of visual works that include Diego Rivera’s Detroit Industry frescoes, a van Gogh self-portrait, and ancient sculptures from Africa and Asia. It also opens the doors of its lecture halls, event spaces, and auditoriums for craft workshops, wide-ranging talks from historians and people who know how to draw really good cubes, film, and music. The latter two art forms find a home in the Detroit Film Theatre, a gilded, neoclassical auditorium that preserves a sense of coziness amid the grandeur.
Described by the Wall Street Journal as "probably America's most visitor-friendly art museum," the Detroit Institute of Arts has been building one of the top six collections in the country since it was founded in 1885. Along the way, the institute acquired standout pieces such as Vincent Van Gogh's Self Portrait, the first Van Gogh painting to enter a public museum's collection in the United States. Former director William Valentiner commissioned Diego Rivera to paint the world-renowned Detroit Industry mural cycle in an indoor courtyard—a more lasting tribute to the beauty of labor. In total, more than 60,000 works of prehistoric, modern, contemporary, and multinational art have found a home within the museum's more than 100 galleries.
The institute’s broad range of art comprises not only American and European works but also significant pieces of African, Asian, and Native American origin. An auditorium and recital hall also make the institute a haven for film and live music on Friday and Sunday. Guests can even attend free-with-admission drop-in workshops to make their own unique works of art.
Since 1963, more than two million guests that have passed through the Hilberry Theatre and been inspired by the passion and portrayal of the human condition they have seen on stage. Every year, audiences at the Hilberry laugh, cry, engage, question, applaud and cheer.
Now in its 54th season, Detroit Repertory Theatre regales audiences with premiere performances of relatable comedies and dramas. Season opener Engagement Rules, running through December 23, splits sides with a comical analysis of love, spotlighting two couples who fight to maintain their relationships through personal turmoil and heated arm-wrestling matches. Burying the Bones (January 12–March 18) weaves a thought-provoking story of a woman haunted by the ghost of her missing husband in post-apartheid South Africa, and Dead and Buried (March 29–May 20) and Taking Care of Mimi (May 31–June 24) fill the spring with inspiring tales of camaraderie and hardship.
The Burton Theatre is a new independent cinema in the Heart of Detroit that features classic art house, independent, LGBT, foreign and cult films. Responding to the shortage of art house venues in the city, the Burton Theatre aims to help Detroit rival Chicago and New York as a center for independent film.