Before taking the reins at Broadway Performing Arts, Elisa Heinsohn appeared on the TV series Fame, and Cleve Asbury acted in the Oscar-winning film Chicago. The duo also racked up an impressive set of Broadway credits—Asbury most recently played Mr. Ovington in the hit How To Succeed in Business Without Really Trying—and starred in more television commercials than a dog who can talk. Nowadays, the two continue their performing-arts work while co-owning and co-directing their studio, leading their team as they teach students from 3-year-olds to adults. The studio’s eclectic curricula hone students’ skills in disciplines such as musical theater, dance, and guitar.
If you want to become a successful actor, you could watch your favorite stars in movies or read up on various techniques. Or you could study under Luigina Vecchione Curran, the Artistic Director at DennyLoo Studios. The actress, director, and acting coach brings her on-camera and on-stage experiences—as well as her stint at Playhouse West with Jeff Goldblum, Robert Carnegie, and Bill Esper of Esper Studios —to her students during interactive classes and workshops. Once here, she delves into scene studies, improv, and monologues about monologues to help her students boost confidence and build a wide range of skills that will assist them in getting auditions and landing acting jobs.
In print and online, Back Stage aims to organize a flood of information on casting calls, audition advice, and breaking industry news into a resource both aspiring and working actors can turn to daily. Tips on snagging representation, choosing headshots, and managing on-set frustration all help subscribers make the most of thousands of entertainment job listings for roles in commercials, films, and major state senates. In major cities around the country, Actorfest delivers its advice and opportunities in the flesh via intensive workshops, casting calls, and meetings with industry pros.
For 26 years, The Drama Desk and Coming Up Taller Award-winning TADA! has been providing young people of all different backgrounds, including a large number of disadvantaged children and families, the opportunity to explore and perform musical theater together in an educational, supportive, and professional environment.