New Jersey Performing Arts Center stands firm as a bastion of live entertainment, opening the doors to its two distinct venues for a wide array of productions. Inside Prudential Hall, 2,700 seats fill the multitiered auditorium where ballets, symphony orchestras, and Broadway shows flourish beneath radiant lights and a domed ceiling. Victoria Theater, meanwhile, beckons visitors to its more intimate 500-seat confines for jazz concerts, contemporary dance performances, and monster-truck rallies.
For more than half a century the American Symphony Orchestra has hewn to founder Leopold Stokowski's original vision: "to offer concerts of great music within the means of everyone." That means its shows aren't just financially affordable, they're also demystified by conductor lectures and never held inside biodomes. In recent years, the organization has added a new facet to its time-tested strategy: curated concerts built around a theme. Shows might explore a particular place and time, examine a literary motif, or delve into the interaction between music and visual art. This strategy has attracted a lot of attention, and not just from audiences: such greats as Yo-Yo Ma, Deborah Voigt, Sarah Chang, and Carnegie Hall's mask-wearing Phantoms of the Barbershop Quartet have all vied to play with the Orchestra.
To make classical music engaging and build future audiences: that's the mission of the Little Orchestra Society. And it's one the company has ably carried out for nearly 70 years by producing family- and kid-friendly works that pair live orchestration with puppetry, dance, and other arts. The multidisciplinary performances range from Lolli-Pops concerts for aspiring conductors ages 3?5, to the Peabody Award-winning Happy Concerts for Young People series, recommended for those ages 6?12. It's a unique approach that has won them some notable fans?the society's artistic advisors include Patti Smith, Kevin Kline, Rita Moreno, and Joel Grey.
The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Before the Lincoln Center for the Performing Arts was even built, the idea for its Chamber Music Society was born. American composer and Lincoln Center President William Schuman helped specially design a recital hall in which the chamber group could play more than three centuries worth of musical compositions. But the Chamber Music Society didn't stay contained within its venue. Throughout the following half century, its musicians collaborated with dance companies, jazz projects, and festivals, helping to spread awareness and appreciation of their craft throughout the city.
Experience the exciting rhythms of the ancestral Taiko and the magical sounds of the bamboo flutes. Taikoza uses the powerful rhythms of the Taiko drums to create an electrifying energy that carries audiences in a new dimension of excitement. Taikoza draws from Japan's rich tradition of music and performance.