In print and online, Back Stage aims to organize a flood of information on casting calls, audition advice, and breaking industry news into a resource both aspiring and working actors can turn to daily. Tips on snagging representation, choosing headshots, and managing on-set frustration all help subscribers make the most of thousands of entertainment job listings for roles in commercials, films, and major state senates. In major cities around the country, Actorfest delivers its advice and opportunities in the flesh via intensive workshops, casting calls, and meetings with industry pros.
Before taking the reins at Broadway Performing Arts, Elisa Heinsohn appeared on the TV series Fame, and Cleve Asbury acted in the Oscar-winning film Chicago. The duo also racked up an impressive set of Broadway credits—Asbury most recently played Mr. Ovington in the hit How To Succeed in Business Without Really Trying—and starred in more television commercials than a dog who can talk. Nowadays, the two continue their performing-arts work while co-owning and co-directing their studio, leading their team as they teach students from 3-year-olds to adults. The studio’s eclectic curricula hone students’ skills in disciplines such as musical theater, dance, and guitar.
If you want to become a successful actor, you could watch your favorite stars in movies or read up on various techniques. Or you could study under Luigina Vecchione Curran, the Artistic Director at DennyLoo Studios. The actress, director, and acting coach brings her on-camera and on-stage experiences—as well as her stint at Playhouse West with Jeff Goldblum, Robert Carnegie, and Bill Esper of Esper Studios —to her students during interactive classes and workshops. Once here, she delves into scene studies, improv, and monologues about monologues to help her students boost confidence and build a wide range of skills that will assist them in getting auditions and landing acting jobs.
Drawing on big- and small-screen success, such as appearances in Tom Selleck's Her Alibi and on Late Show with David Letterman, as well as more than 25 national commercials, acting guru Mark Stolzenberg transforms amateurs into screen-savvy performers at the New York Acting School for Film and Television. Thespians hone their acting chops through monologues, improvisations, and cold readings in Mark's classes, preparing for time spent on television or the big screen. Essentials classes introduce neophyte film actors to the intricacies of playing to the camera, whereas advanced pupils refine their techniques by co-starring in a two-person short film directed by Stolzenberg, learning to handle more difficult scene work and larger crowds of crazed fans. For more targeted practice, Mark hosts one-on-one, on-camera coaching sessions to prep audition material or monologues for upcoming performances.
In the 60 years since Robert Joffrey founded his school, graduates have gone on to dance in major ballet companies as well as modern and contemporary troupes. And it's easy to see why they'd have such diverse careers: Joffrey pioneered modern music in ballet with his 1967 opus Astarte, for which he commissioned original rock and roll, and then with Billboards, which was set to the sweet funk of Prince. With teachers ranging from a veteran of the National Ballet Company of Guatemala to the ghost of Gene Kelly, the school continues to blend multiple dance styles into its balletic training, building well-rounded dancers versed in jazz, contemporary, character, and hip-hop. All of the training tends to pay off; graduates of the Joffrey Ballet School frequently go on to shine in companies including the Joffrey Ballet, the American Ballet Theater, the New York City Ballet, and San Francisco Ballet.