Eugene Tsipenyuk describes photography as "addictive." Having a camera in his hand, he says, helps him understand the world more deeply. And perhaps more importantly, explains Eugene, it helps him nab candid, natural shots of his subjects. Instead of instructing them to strike a stiff pose and say "cheese-wheel dreams," Eugene achieves images of "spontaneous, real-life, fleeting moment[s]" with his signature unobtrusiveness. Clients rely on YtyPhoto for wedding and special event photography, as well as family portraits.
More than 20 years of photography experience grants PhotoArts Marin's Glen Graves more than just an eye for an ideal snapshot. His skill with traditional film cameras, lighting, and composition elements imbues his photos with a quality that has drawn the attention of such clients as Ford, US Air, and Architectural Digest. When not capturing boudoir portraits or smiling families during photo shoots, Glen can be found in the classroom teaching aspiring photographers the tricks of the trade, from using dynamic angles to frame a subject to how saying “cheese” banishes spirits intent on photobombing.
Having shot more than 30,000 subjects throughout his career as a photographer, including many Silicon Valley business figures, Eric Gould understands how to create a good photo in any setting. His adeptness at communicating with subjects carries into his photography workshops, where he conveys difficult concepts clearly and methodically, saving students from such rookie mistakes as shooting with the lens cap on or turning the flash on while taking pictures of your imaginary friend's third grade graduation. In his own photo sessions, he frames professional clients in business portraits and headshots, high-school seniors in youthful poses, athletes in midaction, and a wide spectrum of people and places encountered on international travels.
President Obama and Sammy Hagar. There may only be one thing these two have in common: They were both photographed by James Waynauskas Photography. It's James's photojournalism background that's taught him how to capture all the emotions and drama of the fast-moving world in sharp focus. His background in art is why he's able to infuse all images with eye-catching compositions. Today, he puts all his experience into photo sessions for weddings, portraits, and glamour shots. Covering events such as sports and concerts are his bag, too, as are headshots.
The two grand exhibition rooms at the Institute of Mosaic Art show off the textured tile work of its staff and visiting artists, with more works displayed outside in its lush garden. Within, more than 80 classes and workshops for all skill levels cover a wide range of topics and techniques, including working with glass, smalti, and tiles, as well as projects such as jewelry and exterior decorations. Visiting artists conduct special workshops, giving students insight into their creative processes and suggestions on the best brand of car windshield to smash for supplies.
The institute also houses Mosaic Studio Supply, which fills its homey halls with materials and manuals for all projects. Mosaic makers can browse the stock of a la carte supplies, from colorful tiles to tools and adhesives, as well as kits full of color-coordinated pieces.
The word "moodology" isn't in the dictionary. Nonetheless, the term, coined by photographer Curtis Jermany, best encapsulates his work, which he describes as "the practice of photographically capturing your many moods." To achieve this, Curtis casts his portraiture subjects in heavy shadow, dramatically emphasizing the sheen of sweat on a young boxer or the fretboard of a talented musician's guitar. While Curtis mans the camera, his team of makeup artists and stylists helps ensure that every pose-striker feels comfortable and confident.
Available for commercial and private work both in the studio and on-location, Curtis's clients range from fashion models to families, kids, and high school seniors. Besides snapping his own photos, Curtis teaches classes that help amateur shutterbugs avoid rookie mistakes such as filling entire rolls of film with close-up pictures of your eye.