Cranbrook Institute of Science grants visitors an up-close look at a collection of more than 150,000 objects and artifacts that adorn 11 galleries dedicated to natural history and science. Interactive exhibits let visitors feel the fur on a mastodon model, run their fingers along a meteorite, and touch the cast taken from the floor of a now-extinct 500,000-year-old sea. More wonders of the natural world fill the Erb Family Science Garden, where flow pools cascade over three terraces dotted with native plants. To study the world above terra firma, the institute holds nighttime sessions in its research-grade observatory and screens space-related films in its planetarium.
Behind the museum, more than 150 species—from jamaican fruit bats to the malaysian flying fox, the world's largest bat—flap freely through the Bat Zone. During award-winning live shows highlighting how they adapt to living at night, the bats emerge into daylight along with fellow nocturnal critters, two-toed sloths and convenience-store clerks.
For more than 75 years, Cranbook Academy of Art has enjoyed a reputation as one of the nation's leading independent graduate schools for art and design. Renowned graduates such as designer Florence Knoll, architect Hani Rashid, and fiber artist Nick Cave all honed their craft on the verdant 315-acre campus, where crammed lecture halls are replaced with small studios and students enjoy one-on-one mentorships with the Artists-In-Residence. Designed to inspire creativity as much as possible, the academy supplies each student with his or her own private studio space, and allows artists to design their own program of study without formal boundaries or beret-based dress codes.
The Cranbrook campus is a work of art in itself, owing the design of its original buildings to famed Finnish architect Ellel Saarinen. The academy further inspires its graduate students and the surrounding community with a museum that grew out of the eclectic personal collection of George Booth in 1930, and has grown to focus on the art, craft, design, and architecture of the 20th, 21st, and 22nd centuries.
On November 19, 1928, the Detroit Historical Society opened the Detroit Historical Museum in a one-room suite on the 23rd floor of the Barlum Tower, earning it the nickname of highest museum in the world. These days, Detroit’s Cultural Center accommodates the museum in an 80,000-square-foot space, where interactive exhibits preserve more than 300 years of city history. Frontiers to Factories traces Detroit's transformation from French-frontier outpost to industrial city, while America's Motor City celebrates its automotive dominance with a changing display of classic vehicles and a 1903 Model T that guests can sit in. Streets of Old Detroit brings the 19th century to life with recreated cobblestone streets that wind past stores of the era such as a five-and-dime, a soda shop, and a barbershop for powdered wigs.
Thanks to recent renovations, the society has expanded its chronicle of Detroit with three new permanent exhibitions. Detroit: The Arsenal of Democracy covers the ways the city's industrial infrastructure adapted to demands of World War II, and The Gallery of Innovation includes videos about renown innovators and hands-on activities of trial-and-error. As The Allesee Gallery of Culture examines the city's cultural history, its Kid Rock Music Lab lets visitors create and share their own music using interactive displays. Outside, the Detroit Legends Plaza honors the city's sports, entertainment, and media legends with cemented handprints and signatures from stars such as Lily Tomlin and Martha Reeves.
Nestled within the historic Hitsville USA quarters of Motown Record Corporation, the Motown Museum dazzles the optic nerves of audiophiles with retina-regaling displays that flash back to the golden age of music. Foray into the historic duplex that enshrines the restored apartment of Berry Gordy Jr. before tiptoeing through Studio A to reverberate ripened rumors fresh from a grapevine within its iconic echo chamber. As they follow the trajectory of rhythm-and-blues history, visiting duos can pore over a comprehensive collection of photographs, memorabilia, and invisible air molecules once inhaled by famous recording artists. Bask in the soulful warmth of the Marvin Gaye exhibition or burst into synchronized moonwalks while ogling Michael Jackson’s signature glove-and-hat ensemble.
SemSeg's Segway experts equip urban explorers to cruise through Detroit at up to 12.5 miles per hour during self-guided tours. A brief orientation covers proper techniques for turning, stopping, and impromptu jousting. Then, motorists hop aboard scooters and travel up to 24 miles on a single charge. The long battery life allows motorists to cruise down the Riverfront, circle 14-acre Hart Plaza, and crisscross the Rivard Plaza in a single trip. Though SemSeg encourages DIY tours, their guides lead weekend tours through downtown and down the Riverwalk.
Located in Detroit's Cultural Center, the Charles H. Wright Museum of African American History is one of the world's largest institutions dedicated to the African-American experience. Covering 120,000 square feet, the museum houses five rotating exhibitions, including Ain't Nothing Like the Real Thing: How the Apollo Theater Shaped American Entertainment, and five permanent exhibitions, such as the 22,000-square-foot core exhibit And Still We Rise: Our Journey Through African American History and Culture. Also at the museum are the Louise Lovett Wright Library & Archives and the Ford Rotunda, which boasts a 55-foot-high glass dome that dumps artificial snow when shaken by giants.