With more than 23,000 square feet of public space, Kohl Children's Museum gives its young visitors plenty of rooms in which to play. The kid-focused facility houses 16 permanent exhibits for infants and children up to 8 years of age, each filled with hands-on activities designed to encourage learning and exploration.
City on the Move helps children learn about Chicago by challenging them to build city scenes from geometric shapes or crank an electricity-generating wheel to power a pretend John Hancock Center. Kids can follow animal footprints to their source in Nature Explorers, move musical notes to create melodies in Ravinia Festival Music Makers, or explore the rotating temporary exhibits.
It was the late 1970s, decades after the Holocaust, but neo-Nazis hadn’t disappeared: they threatened to march in Skokie. Realizing the need to combat this kind of intolerance with education, Chicago-area survivors and their supporters banded together to create the Holocaust Memorial Foundation of Illinois. This initiative evolved into the museum which was built to honor the memory of Holocaust victims, educate visitors, and explore the human intolerance that continues to lead to genocide today.
With a showroom full of materials and an impressive body of work that hangs in buildings such as the Trump Tower, Creative Edge helps clients turn bare walls into conversation pieces. Each Creative Edge consultant brings at least 10 years of professional experience to projects, ensuring that every frame perfectly complements its portrait, landscape, or recursive picture of picture frames. These experts also handle 3-D projects, creating shadowbox showpieces for items such as plates, sports memorabilia, medals, and dried flowers. Before settling on a design, clients can peruse the showroom to get creative juices flowing. The showroom offers samples of more than 3,000 different mouldings made from materials that range from classic solid woods to reclaimed roofing supplies, and the gallery features fine-art lithographs, giclées, and original multimedia pieces.
It started in 1977, with a donation by philanthropists John Mayo and Betty Seabury Mitchell of approximately 3,000 artifacts to found the Mitchell Museum of the American Indian. Since its inception, the museum has sought to broaden the public's understanding of the continent's cultural diversity of American Indian and First Nation peoples. To that end, it showcases the historical and artistic achievements of the Native American and First Nations peoples of the present-day United States and Canada.
Donations over the decades have helped swell the meticulously preserved permanent collection to more than 10,000 objects. Consisting of pieces from tribes throughout the Woodlands, Plains, Southwest, Pacific Northwest, and Arctic regions of North America, the collection has a broad-based appeal for researchers, knowledge-hungry visitors, and the culturally curious. Baskets, pottery, clothing, paintings, beadwork, carvings, and archaeological and ethnographic artifacts dating from Paleo-Indian times to the present fill the display cases. Additionally, the museum features special areas where guests can touch and handle Native-made tools and raw materials?including snakeskins, birch bark, and turquoise?that the Native American and First Nations peoples historically would have used in everyday life. Temporary exhibits explore specific themes, such as the cultural identity of mixed race Native peoples and the traditions of storytelling in Native culture.
Eric and Markay Suevel have run the eponymous Suevel Studios—a full-service glass studio that creates custom pieces and hosts classes—for more than 30 years. Both proprietors have practiced the art for decades, but their partnership marries two distinct approaches. Eric learned the craft at a young age from his uncle, and Markay possesses a liturgical perspective as an ordained minister with a master’s in divinity. They cut and fuse alongside a team of worldly and learned glassworkers, all of whom bring their own specific expertise to the table, whether doing restoration work or mosaics. The studio's stained-glass work lights up churches, homes, and restaurants as well as their students’ faces after they complete one of 25 classes. There, apprentices acquire the skills required to decorate household windows or liven up bland, translucent reading glasses.