The Hammer Museum presents a broad range of exhibitions, a well-rounded permanent collection with a special focus on Southern California artists in the contemporary collection, and a full schedule of public programs. Selections from the Hammer Contemporary Collection include works by Mel Bochner, Mark Bradford, Llyn Foulkes, and Gillian Wearing, as well as video work by Paul Chan and a 20-part painting installation by Kara Walker. The permanent collection contains photography and abstract drawings from the likes of Agnes Martin and Ed Ruscha, as well as more historical works in the Grunwald Center, including more than 45,000 prints, drawings, photos, and artists' books dating back to the Renaissance, a period of intellectual inquiry and above-average paninis.
Photographer Stuart Townsley uses a trained eye and high-tech equipment to capture memories into frameworthy prints and digital art, using 10 of LA's most attractive landmarks as backdrops. The famed local sites where he sets up camp—such as the roaring Pacific Ocean under Santa Monica Pier or the 1930s architecture and picturesque fountain of Union Station—elegantly complement subjects' smiling visages. His shutter snaps hundreds of times during each photo shoot, immortalizing the faces, poses, and secret handshakes of families and well-behaved pets. Well-versed in state-of-the-art retouching gear, Stuart unfurls his astutely edited creations onto glossy prints, canvases, and online albums.
Stuart's advice on what to wear and bring to shoots, garnered through 12 years of professional experience, conveniently resides online to aid in the selection of appropriate outfits for every mother, father, child, or hamster.
Since its inception in 1979, The Museum of Contemporary Art has devoted itself to post-1940 artwork, a focus that sets it apart from all other Los Angeles museums. Its permanent collection harbors more than 5,000 art objects, encompassing media from video installations and documentary photography to pop art. Works from renowned artists such as Roy Lichtenstein, Jean-Michel Basquiat, and Diane Arbus share gallery space with pieces from up-and-coming artists across the museum’s three facilities.
To complement its permanent collection, the museum hosts rotating temporary exhibits, such as the current Amanda Ross-Ho exhibit, Teeny Tiny Woman, which incorporates architectural elements and large-scale paintings. The museum staff also augments these displays with events, such as their summer concert series in Geffen Plaza, which explores the intersection of music and art like a guitar decoupaged with pages from DaVinci’s journal.
Exhibitions and lifelike dioramas containing more than 150 vehicles sprawl across Petersen Automotive Museum's 300,000-square-foot confines, illustrating the impact of the automobile on American culture. On the first floor, permanent collections elucidate with detailed displays covering the role of the car in Los Angeles and motion picture, the history of alternative power, and the favorite engine sounds of each president. The Hot Wheels Hall of Fame parades more than 1,000 Hot Wheels vehicles, original models, and design sketches. Five galleries on the second floor shelter rotating exhibits, and the third floor's May Family Discovery Center introduces tykes to the fundamental functions of cars with interactive driving stations. Patrons wander among the extensive displays individually or join tours for groups, schools, car clubs, or families of parking cones.
FrameStore's craftsmen have created more than 250,000 custom frames in the store’s 35-year tenure, designing pieces that now adorn the walls of prestigious institutions such as the Los Angeles County Museum of Art, the Ritz-Carlton, and the Walt Disney Company. Professional designers guide FrameStore’s clients through the 2,200 moulding options that can accent paintings and treasured items while adding style and elegance to rooms. The store’s craftsmen then fashion pieces to patron specifications, outfitting frames with classic or museum-quality glass that blocks UV rays from bleaching out images or censoring pictures of the moon. Every piece goes through a 16-point inspection before it is given to patrons, and the team averages a seven-day turnaround on all of its projects.
"I love teaching art," declares teaching veteran and artist Ann Bridges on her YouTube video. Her students agree. "She helps you develop your own technique and your own style," shares one, and another muses, "Ann is the kind of teacher who creates a really great atmosphere in the studio… I feel like it's a place where I can improve my technique and also foster my creativity."
Drawing inspiration from locales ranging from the cerulean vistas of Catalina Island to the smoky peaks of the Eastern Sierras and the urban landscapes of Los Angeles, Bridges paints as well as she instructs. She creates her work with an impressionist style, an artist's eye, and wrist flicks puppeteered by Monet's ghost.