Celebrating its 40th anniversary season, Wolf Trap regales lovers of the arts with masterful performances, innovative education, and swinging social events at the Filene Center and The Barns. Wolf Trap's young-professional organization, Club 66, gathers emerging leaders and former infants, primarily aged 21–39, for networking, socializing, and special events united by the leitmotif of furthering arts enrichment. Members clear their calendars and cleanse their opera glasses before partaking in benefits that include opportunities to buy tickets for Filene Center events before they are released to the general public, a new group of friends to discuss conspiracy theories about Les Misérables, and a subscription to the member newsletter, "The Wolf Trap Experience." Club members enjoy discounts on pre- and post-performance events, gift-shop discounts, a special rate for the Annual Bash, and invitations to interludes, networking parties, and other members-only events.
Saphira, the matriarch and founder of Saffron Dance, didn’t even exist 20 years ago, much like “I survived Y2K” bumper stickers. Saphira was known as Rachael Galoob-Ortega, a lawyer who practiced in DC and Florida for a decade. But her high-power career and hefty paycheck couldn’t extinguish her passion for dance. And so she became Saphira, an international belly-dance artist and instructor with numerous accolades, including being featured in American Belly Dancer, a documentary about belly dance in the United States.
Saphira opened Saffron Dance six years ago, and along with 18 fellow instructors, channels her years of expertise into dance courses that get progressively more challenging from week to week. Welcoming all levels, her classes teach both Egyptian-inspired belly dance and community-focused tribal belly dance. Regardless of the class type, Saphira and her teachers encourage pupils to express their unique voices through dance, all while keeping proper alignment, mastering precision, and having fun.
Established as the Washington Shakespeare Company in 1990, WSC Avant Bard is dedicated to updating classic theater for modern audiences, revitalizing well-worn drama with challenging interpretations. Under the leadership of newly appointed artistic director Tom Prewitt, the theater treats audiences to daring productions of established classics, new works, and little-known Shakespeare fan-fiction about him teaming up to fight crime with Queen Elizabeth I.
Today's side deal gets you a ticket to see Jane Franklin Dance's new work, Of Bones and Bridges. Inspired by nature's cycle of growth, destruction, and change, this composition explores the tension between people and the natural world. Head to Source, a recently renovated black-box theater in the 14th Street Corridor, for an evening performance at 8 p.m. on Saturday, February 27, or a matinee on Sunday, February 28 (a $28 value). Pick up adult tickets at the box office on a first-come, first-serve basis for your chosen evening; if you're planning on bringing children, call ahead to reserve special $10 kids' pricing (to be paid out of pocket to the theater, normally $16).
For almost 50 years, Virginia Ballet Company and School has borrowed from the rich, centuries-old traditions of Russian ballet to mold fledgling tip-toers into strong, agile, and graceful dancers. Following the expertly adapted choreography of the studio's late co-founding artistic director, Tania Rousseau, a cast of professional dancers prepares students ages three and up to participate in school-run classical productions, granting them the opportunity to twirl into important roles such as The Nutcracker or The Helicopter Propeller. The company hosts classes of varying difficulties in a studio with raised, spring-loaded floors that reduce injury, fixed and portable handrails, and wall-length mirrors for checking and correcting posture.