Bowling balls have been barreling down the lanes of Drkula’s 32 Bowl for nearly half a century. Perhaps by osmosis—or maybe unintentional design—the brick and wood building roughly resembles a bowling pin turned on its side, with the roof veering outward above the bowling alley and veering inward above the adjoining Drac’s Pub. There, the kitchen staff refuels bowlers with a surfeit of 1/3-pound burgers, pub sandwiches, and beer. Outside the pub, Drac’s Sand Bar hums with chatter from the patio and cheers from its four sand volleyball courts.
For more than 30 years, Raceway to Fun's grounds have offered visitors six outlets for their adrenaline. Two miniature golf courses beckon players to putt their way around large rocks and down angled fairways or traverse bridges to strike through loops and other obstacles. In a pool, participants as young as six board colorful bumper boats whose guns can spray off even the most severe of grass stains. Nearby, sharp turns on a winding go-kart track challenge drivers behind the wheel of single or double-rider karts. Golfers at the driving range launch balls over green fields while sluggers stare into the eyes of 16 pitching machines at the batting cages. Visitors can engage in each activity until dusk, when the sun setting on the horizon and the sky fading to dark blue signal both closing time and the start of the man in the moon's terrible stand-up routine.
Epic Vow Wedding Photography owner Nicole Daniels carefully pairs members of her shutter squad with engaged couples for wedding shoots befitting each client’s personal style. Photographers snap an average of 100 high-quality digital images during four-hour nuptials and anywhere from 200 to 400 pictures at ceremonies exceeding five hours. Nicole digitally edits the strongest shots herself, ensuring that any facial blemishes, lipstick smudges, or ghostly apparitions are eradicated from final prints. Along with a trio of packages, Nicole preserves colorized and black and white photographs by mounting images on hardboard masonite or canvas, assembling shots in a softbound or wave-accordion album, or creating metallic prints.
In 1905, the Minnesota State Capitol building opened to the public; more than a century later, it continues to welcome more than 120,000 visitors each year to the home of the state government’s three branches. Designed in the Beaux-Arts style by acclaimed architect Cass Gilbert, the building lays claim to world’s second-largest self-supporting marble dome, a title the dome maintains by working a second job as the back-up roof of the Metrodome. Within the white Georgia marble and Saint Cloud–granite exterior of the edifice, 67 senators and 134 representatives wrangle with politics while striding through stately corridors and chambers decorated by murals, sculptures, and paintings carefully selected by Gilbert to complement the building’s elegant style. Hand-painted arabesques and local flora swirl overhead on the vaulted ceilings, and the brushstrokes of John LaFarge depict legal concepts above the bench of Minnesota’s supreme court. Visitors can drop into the rathskeller café, which evokes a German eating hall with restored murals, for a bite to eat and a toast to the health of the state’s royal family.