Clouds of fog roll through darkened halls, concealing mercenaries tracking their target’s movement. Before their trap can be sprung, the unthinkable happens: their vests begin to vibrate as a giggling child yells, "Got you!"Laser Tag of Baton Rouge's family-friendly laser-tag sessions thrust players aged 7 and older into similar faux combat, peppered with flashing lights and thumping music. Players race through a 7,500-square-foot multilevel arena brandishing Gen 6 laser-tag weapons that dole out precise shots and automated score updates. Special scenarios challenge players to work cooperatively toward a shared goal; for instance, in the Fugitive mission, one or two targets must escape a group intent on their capture.
Between bouts inside the arena, players can test their gaming skills at the center's arcade, which is filled with contemporary and classic machines. Each game is outfitted with the Power Play system, a swipe-card-and-sensor combo that tracks remaining game credits, relieving players from the hassle of endlessly fishing for quarters. The arcade also leads to an observation deck that looks onto the laser-tag arena, giving spectators a giant's-eye view of the combat below.
The volunteers at Deutsches Haus have worked since 1928 to celebrate German culture and introduce locals to the country’s music, food, language, and history. The chirp of accordions and the crackle of bratwurst on a grill hint at events, including Oktoberfest and Volksfest festivals. Beers from German breweries such as Paulaner and Warsteiner run in straw-hued rivulets from mugs, and vendors dressed in dirndls and lederhosen sell traditional steins. During weekly meetings of the Schlaraffia, a jovial, international fraternity, guests belt out literary and humorous compositions to entertain one another or try to teach robots to laughs.
With its imposing, slate-gray façade, the 170-year-old U.S. Custom House may be the last building in which you’d expect to hear the delighted squeals of children. But behind the steely columns, the building erupts into 23,000 square feet of colorful displays and fluttering, scuttling insects, courtesy of the Audubon Society and Insectarium. In the Asian garden, hundreds of butterflies dodge shafts of sunlight to alight on tropical ferns and the shoulders of young visitors. And at the Insects of New Orleans gallery, visitors can ogle the pink katydids, cockroaches, and lovebugs that contribute to the city’s heritage.
These bug-filled displays are all part of the insectarium’s mission to conserve Louisiana’s indigenous species and inspire stewardship in its visitors. While adults can sate their curiosity with the vast array of exotic species, curators gear many displays toward young guests by making them lighthearted and interactive: the Field Camp’s entomologist answers questions about how to collect bugs or break up flea-circus strikes, and at Bug Appétit, chefs dole out insect-filled delicacies to adventurous palates.
Dubbed a “powerhouse of comedy” by the Austin Chronicle, The New Movement unleashes a dizzying number of comedy shows that belie the institution’s young age. Founded in 2009 by improvisers Chris Trew and Tami Nelson, the theater and conservatory has already established itself in two cities, training fledgling performers in the art of the extemporaneous by inspiring them to take comedic risks on stage, whether it’s connecting emotionally with a character or performing actual surgery. Whether or not the performers are costumed or bearing props, they aim to create a fully realized world on stage through grounded situations and elegant but always creative transitions between scenes.
Every week, New Orleans's longest-running improv comedy troupe, Brown Improv Comedy, crafts one-of-a-kind hilarity based on the suggestions of theatergoers and bar patrons. The group runs with the suggested topic, creating skits and interactive games to tickle guffaws out of the audience. Having just celebrated their 18th year of performing, the team is well versed in turning out the funny and has outgrown the angst-ridden eye rolls of their 16th and 17th years of performing.
Renowned psychic and medium Chip Coffey, star of A&E shows Psychic Kids: Children of the Paranormal and Paranormal State, ushers audiences through preternatural territories in Coffey Talk, a witty and cathartic journey into the unknown. Clairvoyant, clairaudient, and as scintillating as a ghost-whispering Truman Capote, Coffey uses his psychic gifts to counsel the bereaved, ease the haunted, and terrify fraudulent realtors. In this special round of Coffey Talk, Chip guides the two-hour event through two hair-raising chapters of powerful emotion. The show starts with a question-and-answer session, where Chip explains the paranormal and mankind’s inherent psychic abilities before honoring queries about his daunting experiences, his TV shows, and continuity errors in Ghostbusters. For Act II, Chip puts on his psychic-reading glasses to contact spirits for select members of the audience.