The dual-purpose Center Stage & CheerAction facility combines an 1,800-square-foot harlequin-floor dance space with a 1,500-square-foot cheer suite to earn kids their tumbling and dance wings. Summer camps offer competition-grade gymnastics flooring for postschool entertainment such as the mini-tumblers camp, which harnesses youthful exuberance into a productive yield of handstands, cartwheels, backbends, and controlled levitation. Four-day camps feature prancing princesses, superhero hip-hop, musical theater, and a Harry Potter–themed string of activities and students of the stage can act, dance, and tumble their way through the three-day camp, which combines acrobatics with fewer wind-chapped activities such as water games, crafts, and snacks. The cheer camp gives chanters a venue for their newly acquired stunt and jump skills, offering performance time at a Tulsa Drillers Game and includes two complimentary tickets to the game.
"Masterpieces of Change" features the Tulsa Symphony Orchestra taking on the timeless music of Mozart and Berlioz. Guest conductor Ron Spigelman leads the hard-hitting orchestra through a performance of Symphony No. 41, the final symphony written by Tom Hulce–lookalike Wolfgang Amadeus Mozart before his death in 1791. Following Mozart's melodies is Hector Berlioz's extravagant Symphonie Fantastique, a noted piece of program music that tells the tale of a lovelorn artist. After the concert, stick around for the Meet the Musicians reception, where you can chat with the French-horn players, high-five the tuba players, and ask the conductor to sign your clarinet.
Nearly 90 years of history have boogied across the spring-loaded maple dance floor at Cain's Ballroom. Once known as the Carnegie Hall of western swing, the ballroom played a key part in the boot-stomping genre’s history as the one-time home of Bob Wills and The Texas Playboys, who used the neon-lit space to host raucous dances, broadcast a radio show, and do their laundry in the bathroom. Still a landmark of Tulsa’s music scene, the ballroom retains much of its original charm, from the barrel-vaulted ceiling to the oversize portraits of past stars to the fiddle-shaped light fixtures.
For 27 years, Oklahoma Shakespeare in the Park has entertained patrons of al fresco drama with works by the Bard and other noted playwrights. This year's summer season returns to the newly renovated Myriad Botanical Gardens' Water Stage with two productions by William Shakespeare and one by Anton Chekhov. Shakespeare's The Merry Wives of Windsor kicks off the season with a jovial love triangle set in Elizabethan middle-class society (June 16–July 9). Written in 1895, Chekhov's The Seagull inundates audiences with the romantic and artistic conflicts of four diverse main characters conveyed through melodramatic subtext and semaphore arm movements (July 14–30). A Midsummer Night's Dream closes out the season with the classic comedic tale that intertwines the lives of mischievous fairies, stern parents, and young couples in love (August 4–September 3).