Since 1966, the silver screens of the independently owned and operated Penn Hills Cinemas have held the images of first-run films. Four theaters cushion moviegoers with recently-revamped seating as they watch the latest Hollywood releases flanked by cup-holders. In those cup-holders sit ample sodas obtained from a concession-stand surrounded by glowing neon, where customers can also purchase snacks such as popcorn, churros, hot dogs, and candies.
South Pike Cinemas showers moviegoers with celluloid visions of first-run films and sweet and salty snacks. Treats such as slushies, Starbucks Frappuccinos, and cheesy nachos join classic popcorn, candy, and sodas at the festive concession stand. At birthday parties, youngsters take a behind-the-scenes journey into the world of cinema as they’re offered a tour of the projection booth, a souvenir strip of film, and the opportunity to try out every seat in the theater to see which is the bounciest.
Showing a blend of current and classic cinematic entertainment, The Oaks Theater has remained Oakmont's only for-profit single-screen movie theater since its opening night in November 1938. The Junior Chamber of Commerce Players accompany a midnight screening of The Rocky Horror Picture Show, dancing, singing, and assembling popcorn monuments to the unfolding onscreen action. Seven feature-length films entice adrenal glands, letting viewers pick their poison from films such as Jonathan Demme's Academy Award–winning The Silence of the Lambs, the fang-centric Let the Right One In, or Halloween 4 featuring lovable loser Michael Myers. After sinking into one of The Oaks Theater's 430 seats, petrified patrons can cower behind a large soda or superstitiously squeeze the earlobe of their moviegoer companion.
The Kelly-Strayhorn Theater is an intimate, 350-seat multiple-use performance venue. With a commitment to support the burgeoning arts community in the city of Pittsburgh, the theater serves as an ideal place for emerging local artists, regional artists and arts organizations to take risks and present new work.
The cloak of sparkling newness belies Benedum Center’s deep history in the theatrical world. Opened to regal fanfare and a holographic performance by Tupac in 1928, the theater then waded through the downs and ups of history until a $43 million restoration buffed its surfaces back to their former glory in 1984. Today, the 90 chandeliers dangling from the ceiling, the Grand Lobby’s mirrors and marble, and most of the 1,500 feet of brass rail throughout are all original. The centerpiece is the main chandelier, a 4,700-pound, 20-foot-high, 12-foot-wide behemoth that sparkles to remind visitors of the theater’s glory days.