The senses are stuffed with aural and visual excess as English tribute act Brit Floyd recreates the sonic mind expansion and visceral enlightenment of a real Pink Floyd show. The band of highly trained virtuosos and a quintet choir of chanteuses does justice to its subject like a jury of smitten rock critics, nailing every note and nuance of Pink Floyd’s signature sound. Rollicking through all of The Floyd’s epic oeuvre, the British group performs a catalog of timeless hits from landmark prog-rock albums such as Dark Side of the Moon, Animals, and Wish You Were Here. The elaborate stage setup replicates The Division Bell tour, replete with metamorphic lasers and lighting, avant-garde screen projections, and a mammoth ocular stargate, giving fans the closest thing to seeing a Pink Floyd show without being miniaturized and injected into their uncle’s subconscious.
With raucous pomp that fills the aisles with smiles, irascible rockers Paul Revere & the Raiders feast the ears and eyes to an elevated concert experience packed with gonzo humor and a litany of hits on their 2012 tour. From being the first rock act signed to Columbia Records to defeating Great Britain in a battle of the bands, ace pianist and gregarious “mad man of rock ‘n’ roll” Paul Revere has led his crew of party mongers through adventures in sound and spectacle since 1958. The band barnstorms though garage-rock stompers such as “Just Like Me,” “Kicks,” and the No. 1 smash “Indian Reservation (The Lament of the Cherokee Reservation Indian)” while decked out in their signature matching colonial outfits, tri-corner hats, and functioning muskets, creating a slapstick American Revolution you can dance to. Described by Letterman’s Paul Shaffer as “the greatest show band in the history of rock 'n' roll,” the extroverts covert the lovingly renovated Palace Theatre into a romper room of unapologetic silliness with their outlandish sight gags, jokes, and spry pop songs that never drop their dukes.
Founded in hopes of bringing about a revival of the American brass band, River City Brass aims to share the uniquely joyous art form with audiences across Pennsylvania. And for the past 30-odd years, the group has done just that. River City Brass’s 28-piece ensemble—some of whom have been members since the early ’80s—play more than 50 concerts annually. Their programs span continents and centuries, with every performance bringing a new showcase of styles. Modern music, classical pieces, big-band jazz, and show tunes have all passed through RCB’s bright cornets, chortling tubas, and crisp percussion.
Since 1966, the silver screens of the independently owned and operated Penn Hills Cinemas have held the images of first-run films. Four theaters cushion moviegoers with recently-revamped seating as they watch the latest Hollywood releases flanked by cup-holders. In those cup-holders sit ample sodas obtained from a concession-stand surrounded by glowing neon, where customers can also purchase snacks such as popcorn, churros, hot dogs, and candies.
South Pike Cinemas showers moviegoers with celluloid visions of first-run films and sweet and salty snacks. Treats such as slushies, Starbucks Frappuccinos, and cheesy nachos join classic popcorn, candy, and sodas at the festive concession stand. At birthday parties, youngsters take a behind-the-scenes journey into the world of cinema as they’re offered a tour of the projection booth, a souvenir strip of film, and the opportunity to try out every seat in the theater to see which is the bounciest.
Showing a blend of current and classic cinematic entertainment, The Oaks Theater has remained Oakmont's only for-profit single-screen movie theater since its opening night in November 1938. The Junior Chamber of Commerce Players accompany a midnight screening of The Rocky Horror Picture Show, dancing, singing, and assembling popcorn monuments to the unfolding onscreen action. Seven feature-length films entice adrenal glands, letting viewers pick their poison from films such as Jonathan Demme's Academy Award–winning The Silence of the Lambs, the fang-centric Let the Right One In, or Halloween 4 featuring lovable loser Michael Myers. After sinking into one of The Oaks Theater's 430 seats, petrified patrons can cower behind a large soda or superstitiously squeeze the earlobe of their moviegoer companion.