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When the University of Miami's Lowe Art Museum began in 1952, the school could comfortably display its entire collection in three unused classrooms. Those days are long past. Today, the museum stands as Miami's most comprehensive collection of western and non-western art. The permanent collections feature pieces drawn from across human history, with notable works including Claude Monet's Waterloo Bridge and a recently acquired face mask from the Dan people of Côte d'Ivoire and Liberia, forged from wood, cloth, and fur. A sizable trove of Native American artifacts includes pieces from the Southeast such as a beautifully embroidered bead shoulder bag. Other exhibits include paintings, sculpture, drawings, prints, and photographs from the Middle Ages through the present, including the Samuel H. Kress Collection of Renaissance and Baroque art, as well as pottery, sculpture, and metalwork from ancient Greece and the Roman Empire, dating from the first millennium BCE through the 4th century CE.
A few miles away, the tower of the 1939 Old Police and Fire Station rises above the street, gazing down on an unusual blend of sleek, depression-era modernism and Mediterranean revival ornateness. Founded in 2003, the Coral Gables Museum Corp. completely renovated the old municipal building. Spanish touches were added—the new Fewell wing and a 5,000-square-foot plaza—and the space was opened in 2011 as a museum dedicated to the civic arts of architecture, urban design, historic and environmental preservation, and sustainable development. Today, it holds regular art and design exhibitions, educational events, and concerts.
Belly2Abs founder Adriana Echeverri brings dance to unexpected places, opening Ireland?s first belly dancing school in 2006. Her Belly2Abs studios create a safe and harmonious space for women to work out and explore the undulating movements of belly dancing, tango, and flamenco. The studio?s diverse and international collection of instructors teach introductory steps to girls and lead up-tempo fitness classes that tone and burn calories.
The tower of the 1939 Old Police and Fire Station rises above the street in downtown Coral Gables, gazing down on an unusual blend of sleek, Depression-era modernism and Mediterranean revival ornateness. Founded in 2003, the Coral Gables Museum Corp. completely renovated the old municipal building. Spanish touches were added?the new Fewell wing and a 5,000-square-foot plaza?and the space was opened in 2011 as a museum dedicated to the civic arts of architecture, urban design, historic and environmental preservation, and sustainable development. The museum continues to cultivate partnerships to provide up to five art and design exhibitions at once, concerts, educational events like lectures and tours as well as other special events and publications to help foster an appreciation for the history, vision, and cultural landscape of Coral Gables.
As they observe the vibrant exhibits of aquatic life inside the Miami Seaquarium, many guests don't realize that they are walking through a movie set and a hospital. In the onsite lagoon, bottlenose dolphins swim through waters once traversed by Flipper, who filmed several television episodes and films at the venue. The Seaquarium is also recognized as a manatee critical care facility. Its staff has accomplished several historic treatments, including monitoring the conception and arrival of the first manatee born under human care and conducting the first manatee neurological surgery.
These facets of the Seaquarium—along with its many conservation efforts, educational programs, and shows—underscore a united commitment to wildlife consciousness. The animal attractions enable visitors to witness the allure and fragility of oceanic fauna up close, whether they are petting the back of a stingray or washing a dress shirt on the rough back of an 8-foot nile crocodile. Special encounters decrease the distance even further, sending patrons on underwater Sea Treks through the reef display or helping them to lead marine-mammal training routines.
It's hard to pinpoint the biggest personality inside the Seaquarium tanks, but Lolita the killer whale—who performs daily alongside pacific white-sided dolphins—claims the title of heaviest, period. On the other end of the scale, macaws and cockatiels perch around the Tropical Wings section of the park, and endangered sea turtles lounge at Discovery Bay. Elsewhere, a watery playground and three-story ropes course keep legs from growing too wobbly after a trip to Shark Channel or a smooch from a sea lion.
For twenty terrifying nights this fall, the normally tranquil confines of Watson Island will be visited by an ancient evil and the malevolent modern forces that awakened it. Designed by the frightmasters that brought you the award-winning Festival of Souls?which was voted the scariest haunted house in Florida by HauntWorld.com?Terror in the Jungle transforms Jungle Island into a massive, interactive haunted experience. Visitors enter a jungle beset by toxin-infused beasts, shambling zombies, and wrathful gods bent on punishing any mortal who dares wander the undergrowth. After navigating five acres of dense pathways, visitors arrive at the main event: the Ruins Pyramid Haunted House, a 10,000 square foot temple of unimaginable evil and bone-chilling scares.
Like a great scary movie, Terror in the Jungle comes with a back story that sets up the fright within. The story begins on 12/21/2012, a day purported to mark the end of the world according to the Mayan calendar. As the world woke to yet another day on Earth, the prophesy manifested itself in an unexpected way. In the skies above Mexico, a cargo plane transporting hazardous materials from a government research lab faltered, crashing into the ruins of an ancient, forgotten city. The toxins on board seeped into the surrounding environment, mutating plants and people alike. Locals entreated the old gods for help, but found only retribution; insulted by mankind's disregard for life and nature, the deities unleashed the Hunter, a demon bent on wiping out any human in its path.
It is now 2014. The Mexican government, desperate for answers about the crash and its aftermath, has uncovered rumors of ecological unrest deep within a remote jungle. Now, government officials and Hazmat containment specialists are gathered at the entrance to the jungle, preparing to clean up their catastrophic mess. Little do they know that these trees conceal overgrown beasts, risen undead, and a supernatural force more powerful than anything they've ever encountered.