The Music Theatre Company's production of Merrily We Roll Along, a Stephen Sondheim composition based on the 1934 Kaufman and Hart play, weaves a show biz success story in reverse. The musical begins with Franklin Shepard’s wild fame as a film producer before unraveling nearly 20 years of his past to uncover countless love affairs, missed opportunities, and humble dreams.
The Stained Glass Coffeehouse's concerts immerse audiences in the soothing euphonies of local and nationally known musicians in an intimate space. Tangleweed weaves a bluegrass twang into original songs and traditional ditties, getting feet stomping with old-timey aplomb. Guests take home a copy of the band's fourth album, Please Punch Richard for Me, keeping concert-formed memories alive or training a flock of parrots to imitate the singers' voices. Annie and Rod Capps couple the former's winsome vocals with the latter's deft instrumental accompaniment, and Kim and Reggie Harris caress ears with a songbook of folk music and African-American spirituals. Irish-American guitarist and singer Joe Jencks opens up hearts with soulful lyrics and crystalline vocals, and local artists open every concert, warming up audiences and melting heckling snowmen before headlining acts take the stage. The proceeds from each event will be donated to local and international charities.
As vaudeville heaved its last breaths in the late 1920s, RKO's Riverside Theater opened in 1928 and served as a performance hall for just a few years before Warner Brothers took it over to screen their films. Decades of neglect followed, reaching a nadir in 1966 when a carelessly tossed cigarette butt incinerated the proscenium's drapery, prompting the cash-conscious owners to replace the opulent teal velour with workmanlike duvetyn. A slated demolition in 1982 nearly replaced the theater with a shopping mall before a coalition of citizens convinced philanthropist Joseph Zilber to save the space. In the subsequent renovations, craftsmen installed plush red drapery, overhauled the obsolete lighting, and repainted the faded French Baroque gilding of the auditorium, restoring the elegant space to its former glory and inspiring it to get back out on the theater dating scene.
The Sweetest Swing in Baseball, written by acclaimed playwright Rebecca Gilman, is the story of Dana, a heralded artist who checks into a mental ward after a disastrous gallery opening. Happy at the hospital but running out of insurance, Dana cooks up an elaborate scheme to pretend that she thinks she is actually baseball legend Darryl Strawberry so that she can stay in the mental ward. The Sweetest Swing in Baseball is directed by Milwaukee Chamber Theatre's producing artistic director, C. Michael Wright. Despite rave reviews for his work as Guildenstern to Dwight Gooden's Rosencrantz in a recent West End production of Hamlet, Darryl Strawberry himself will not be appearing in this show.
The Admirals is a pro hockey team that has been in the American Hockey League for nine years. Games are played in the Bradley Center, with mid-deck seats located in the front center sections that span the length of the ice rink. With an Admirals hockey game, spectators can enjoy puck-filled action that doesn't involve Shakespearean nature sprites, or simply kick back and hope to meet mascot Roscoe. Choose from the following game options:
Summerfest is the pride and joy of Milwaukee's music scene, attracting between 800,000 and 1,000,000 people a year with bands playing on 11 stages. The first day of the festival features a variety of general-admission shows, with the first Groupon listening opportunity kicking off at 4:15 p.m. with the Mechanical Kids on the U.S. Cellular Connection Stage. Headlining acts that begin at 8 p.m. include Tokyo Police Club and Colbie Caillat. At 10 p.m., the big hitters emerge from the bullpen with the sultry rhythms of Sheryl Crow, the smooth jamz of The Wailers, the electro-fun of Passion Pit, and more, creating a musical-chairs game of concert options. Check the Summerfest website to view the full music schedule for June 24 (please note that your general-admission ticket does not get you into the Tim McGraw performance in the Marcus Amphitheatre).