Hawthorne Theater opened in 1928, making it one of the first movie houses established in the area. And though at almost 90 years of age the space is older than most buildings in North America, it's recently undergone major renovations to keep up with modern technology. According to an interview with owner Jack Sayegh at NorthJersey.com, the fully digital five-screen cinema was outfitted with new carpeting and chairs, Real D and 3-D movie equipment, Dolby Surround Sound in all theaters, and human ticket-takers to replace the outdated robot ones. The article also cites that the theater?which has been independently owned since 1980?is maintained by Jack's father, uncle, and cousin, reinforcing its family-friendly nature.
Uniquely residing indoors, the marquee at Fabian 8 Cinema evokes nostalgia with its towering lights and brick façade, even as it flashes the current features in digital print. Within the actual theaters, viewers recline in high-backed rocker seats, arranged in extra-wide stadium configurations for maximum comfort and cowering space during scary scenes. Serving eyes a veritable feast of motion pictures, first-run features spring from the latest in digital cinema technology, augmented by digital and 3-D technologies.
Opened in 1924, the Lafayette Theatre first ushered filmgoers into the swashbuckling world of the French Revolution with the silent classic Scaramouche. And the movie palace, which is appointed with a grandiose French and Italian Renaissance style, has remained a Suffern touchstone by introducing 3D technology, CinemaScope, and, in the late 1980s, the Mighty Wurlitzer pipe organ. These days, jaunty organ tunes precede Friday- and Saturday-night features inside the renovated, single-screen theater, which specializes in first-run Hollywood flicks and classic cinema.
One of the "great places to revel in cinematic grandeur," according to USA Today, the 942-seat theater surrounds visitors with ornate touches like a crystal chandelier, a red velvet curtain, and opera booths sans distracting Muppets.
The New York Films Critics Series culls professional reviewers and armchair critics under one roof to revel in advance screenings of highly anticipated motion pictures. Bigwig film critics, including Peter Travers from the Rolling Stone and Owen Gleiberman from Entertainment Weekly, are slated to host, helming fact-crammed introductions and popcorn-eating competitions before each film. Though the stereogram algorithm that reveals the season’s lineup has yet to be deciphered, films on the docket may include the latest movie from Academy Award-winning director Pedro Almodóvar, Sundance Film Festival Jury Prize award-winner Like Crazy, and the adaptation of Hunter S. Thompson’s The Rum Diary starring Johnny Depp. Screenings are often followed by interviews with special guests, such as actors, screenwriters, and Oscar-worthy best boys. Past appearances include writer /director/actor Josh Radnor (TV's How I Met Your Mother) and actress Zoe Kazan (Me and Orson Welles).
Thanks to the NY Film Critics Series, Rolling Stone film critic and series moderator Peter Travers can be in 50 places at once. Movie stars and directors can, too. It's all thanks to the series' signature technology: a live, interactive simulcast broadcast to 50 independent theaters across the country. Through the series, fans everywhere can engage with their favorite stars and watch pre-release films, such as Like Crazy, director Drake Doremus's Breathe In, or the upcoming Lion King 15: Lions Evolve Into Humans and Go To Starbucks.
Recently opened after a complete renovation, CityPlex12 Newark fills its 12 screens with a schedule of first-run Hollywood hits. High-backed rocker chairs make up the stadium seating, while 4K digital projection allows audiences to see each and every molecule that form their favorite star’s face. The centerpiece of the complex is its Shaq*DX theater, equipped with a towering 47-foot screen and Dolby Digital 7.1 surround sound.