Studio Altius’s owner, photographer David J. Cerven, drew on his background in theater to create a new approach to portraiture. Like directors and actors, or producers and theater critics who owe them a favor, Cerven’s photographers and clients work collaboratively to create defining moments. Along with fellow photographer Shawna Ventimiglia's background in fashion design, Cerven creates personal, compelling images of children and families, high-school seniors, brides, and couples, as well as professional headshots and sexy boudoir images. Clients can pose in either his 3,000-square-foot studio or outside the studio in a picturesque outdoor setting. In addition to working with clients, Cerven teaches his methods to other photographers in portraiture workshops and classes, and maintains an on-site art gallery.
Fred M. Kemp, Sr. fell in love with the first Mercedes-Benz he ever bought. So he bought 40 more. Over the course of 30 years, his obsession created a collection of some of the rarest and most groundbreaking cars ever made. Upon his passing in 2004, he deeded his cars to the public for exhibition and education, founding the Kemp Auto Museum born to house his extensive collection.
Kemp's legacy includes one of Karl Benz's patent Motorwagens, which captivated the public's imagination when Mrs. Benz drove the device 112 miles to visit her mother in 1888. At the other end of the spectrum sits the 1960 Mercedes 220SE Cabriolet, whose 134-horsepower fuel-injected engine could have ferried Mrs. Benz to her mother's house in about an hour. Visitors can take either docent-led or audio tours to see the standing exhibit, or catch one of the touring special exhibits, featuring classic cars such as department-store Crosleys and classic engines such as Fred Flintstone's feet.
Fire. Hammers. A pottery wheel. Some of humanity?s most elemental and primitive tools, yet into the 21st century they remain. And Craft Alliance Center of Art + Design Director Of Education Programs, Luanne Rimel, attests that they?re some of the coolest. With each season?s catalog of classes, some of the most popular, according to Rimel, let students play with fire, hammer metal into jewelry, or shape a lump of clay into something as fundamentally beautiful as a baby seal mimicking the Mona Lisa?s wry smirk.
At Craft Alliance, the focus is art in all its forms. Whether the tool is the raw flame fusing cut copper or a Mac loaded with Photoshop image-editing software, the intention to inspire and to create remains the same. Its two locations schedule seasonal terms with four- to six-week classes, as well as intensive workshops and children?s classes. Guiding each student along his or her adventure, skilled faculty instruct from experience. Most are working artists who exhibit their work and who have reaped their experience from the trenches of the art world.
Craft Alliance is not just empowering people with knowledge; they are also helping people make mugs, bowls, wooden spinning tops, rings, rugs, and digital photo albums. Many of these things are practical and serve a functional purpose. But many do not?they?re just beautiful things, like vestigial tails. A good number of these pieces are created by hand and are meant to remind us, as Rimel remarked, that everyone can do something different from their everyday, workaday lives by adding beauty to a world that truly needs it.
The student and faculty artists are the backbone of the Craft Alliance community, which in 2014 celebrates its 50th anniversary. The Grand Center location represents a regeneration of an arts district already pillared by the Fabulous Fox Theatre, Powell Symphony Hall, and St. Louis University.
Though built as a private home in 1901, the Victorian mansion stood vacant for years?until its first children's hands-on exhibits opened to the public more than 30 years ago. Since then, The Magic House's curators have worked to engage children of all ages in learning and creative thought through a range of interactive multimedia exhibits. Their exhibits enable visitors to service cars, climb treehouse ladders, and go fishing in a child-centric community, or play with pumps and pipes in a waterworks playground. They can also climb a three-story fairy-tale beanstalk or use detective skills, fingerprint analyses, and secret passageways to solve mysteries.
Museum staffers also organize a range of themed birthday parties, during which attendees play and complete special tasks as time travelers, scientists, or fairy-tale nobility. Family programs encompass monthly visits from outside professional artists, and special events designed to get the whole family moving. Visitors can refuel for exploration at the on-site Picnic Basket Cafe, whose menu highlights whole grains and healthy ingredients.
Laclede's Landing Wax Museum has been scaring and astonishing sightseers since 1983. Behind its 1885 cast-iron façade, the museum harbors more than 200 life-size figures across five levels and 10,000 square feet of museum space. The display of doppelgangers includes presidents, superheroes, historic figures, and movie stars, allowing visitors to gaze upon scores of famous faces without taking the rigorous paparazzi entrance exam. In the Chamber of Horrors, fictional villains old and new, including Freddy Krueger and the Phantom of the Opera, test the mettle of onlookers. Patrons can stop by the museum's gift shop before leaving or replenish the energy spent arguing with the statues with the help of ice cream, hot dogs, and other snacks at the ice-cream parlor.
Something new is always happening at Saint Louis Science Center, where hundreds of staff members and volunteers ignite visitors’ passion for science and technology with educational exhibitions and special events. The center houses a four-story Omnimax Theater, a hands-on life-science lab and atrium, and a variety of constantly changing exhibitions that draw 1.2 million visitors every year. More than 9,000 stars revolve around the 80-foot domed ceiling of the James S. McDonnell Planetarium, whose two levels of exhibits explore the future of space travel, life on the international space station, or Pluto’s bureaucratic search to regain planetary status.