There are six orchestras in YOSA's orchestra program: the YOSA Prelude Strings, Capriccio Stings, Sinfonietta Strings, Symphony, Philharmonic, and Flute Choir. Although the Philharmonic draws in the most talented students in the region for professional-level concerts, all the orchestras guide students toward an enriched understanding of the world and the music within it. Together, they benefit more than 1,500 young people in the region—through direct involvement with the orchestra and through offshoot programs such as the free after-school instruction sessions on the west side.
In support of her high-decibel new album, Rihanna kicks off her hotly anticipated LOUD tour with emphatic gusto and a sizzling roster of special guests. Like an art show at a sundae bar, the LOUD tour floods the senses, enchanting audiences with lavishly designed sets, myriad costume changes, move-busting dancers, and Rihanna's songbook of Grammy magnets. Crooner Cee Lo Green augments the songful offerings with his own vocal talents, and Roc Nation rapper and rhythm scientist J. Cole further helps resuscitate ear drums traumatized by the outside world's blaring car horns and shrill howler monkeys.
The Legend of Zelda: Symphony of the Goddesses celebrates more than 25 years of stirring virtual adventure and memorable soundtracks with live orchestral renditions of the videogame franchise's lush aural landscapes. Arranged by music director Chad Seiter, the concert's four-movement symphony regales ears with Nintendo composer Koji Kondo's original music that spans 15 Zelda games, recalling moments of Link conquering dungeons, running through forests, and struggling to decide what color of tunic to wear. Conductor Eimear Noone leads the full chorus and symphony with the same skills that earned her the opportunity to orchestrate the soundtrack to World of Warcraft and conduct the musical score of Starcraft II: Wind of Liberty.
Although symphonic concerts could be heard in San Antonio all the way back in the 1880s, the formation of the San Antonio Symphony—the city's first formal orchestra—didn't happen until 1939. It was then that Max Reiter, a native of Italy, was forced from his career and home by a freshly established anti-Semitic policy. Reiter boarded a ship for New York, found the city teeming with exiled musicians like himself, and therefore purchased a train ticket to the South. There, San Antonio's leaders invited Reiter to conduct a demonstration concert for a crowd of 2,500. The success of that initial impression led to the formal founding of the Symphony and an inaugural concert just five months later. Today, Sebastian Lang-Lessing stands where Reiter once stood, leading a full ensemble of 75 musicians with a baton hand honed across the globe.