As part of their Shakespeare-Under-the-Stars series, First Folio Theatre will perform Romeo and Juliet, the Bard’s timeless tale of love, betrayal, and teenage angst. The play centers around two young lovers, born into bitterly feuding families, who risk their lives and their families’ wraths in order to launch a joint space program. As the plot progresses, smitten eyes give way to fighters leaping and lunging across the stage with swords drawn to defend loyalty and avenge loss. Audiences behold the saga in general admission arrangements on a scenic, sloping lawn. Set beside a Tudor revival manor and an Italian-replica chapel, the outdoor theater evokes the essence of Verona, complete with that region's legendary poison vendors.
Run or Dye is making race running a little more colorful, one major city at a time. This 5K is divided up into four separate courses of varying lengths, each designated by a separate color––which also reflects the color of safe, eco-friendly powered dye the participants get splashed with. At the end of the race, they'll cross into the aptly-named Dye Zone—a polychromatic free-for-all, where fluorescent color is thrown freely from all sides, allowing runners to splash their fellow runners or get colorful revenge on their friends, family members, and any cranky art-history teachers that happen to be walking by.
Unlike some races that rank runners by time, Run or Dye only measures success in color and fun. While the safe-to-eat dyes should wash out of clothing, runners are encouraged to wear things they don't mind getting dirty, preferably in white, gray, or another neutral color to give the dyes maximum visibility.
Kumu Hula (“Master Teacher of the Hula”) June Yoshiko sometimes wonders if it was the same streak of courage that led both of her grandfathers to leave Japan and start a new life in Hawaii that inspired her to make a similar journey from Hawaii to Chicago. A hula dancer since she was six, she’s honed her craft over three decades while augmenting it with a master’s in public health nutrition, ordination as a Zen Buddhist priest, and certification as a reiki master teacher.
June teaches two types of hula classes: Hula Kahiko, ancient dances accompanied by chanting that emphasize Hawaiian culture, and Hula Auana, or modern hula, set to contemporary Hawaiian songs and instruments such as ukulele and guitar. Her beginner classes focus on footwork and hip motions, and advanced classes merge both Kahiko and Auana with the study of plants, chants, mythology, and history important to hula. June also offers a Gracious Ladies class for mature women and men that incorporates Auana hula to tone bodies, strengthen core muscles, and boost ACT scores.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.
Founded in 1997 by inventive Chicago artist Sean Graney, The Hypocrites curates unorthodox theatrical endeavors with inimitable panache and an underlying emotional vulnerability. Praised by the Chicago Sun-Times for its propensity to “never do things the expected way,” The Hypocrites have applied its unconventional approach to classic texts such as The Threepenny Opera, Frankenstein, and Kafka's The Trial. Throughout the years, these productions have earned the company a trophy case of Joseph Jefferson citations, as well as an After Dark Award and a letter of recommendation from Shakespeare’s great-great-great-great grandfather.