As Tommy, one of Howl at the Moon’s piano players, explains on the club’s website, “Every night…we try and throw a party, regardless of whether it’s a Tuesday night or a Saturday night.” The bar’s trademark dueling pianos serve as the epicenter of these nightly celebrations; patrons submit their favorite songs on slips of paper for the pianists and backing musicians to recreate. If the website’s playlist is any indication, the bands can handle popular songs from all genres and eras, from Bon Jovi’s “Livin’ on a Prayer” to Kanye West’s “All of the Lights.” The performances are spirited: colorful lights splash upon a stage where servers, guests, and chairs that have somehow developed mobility all dance along to the music.
Fueling the celebration is the bar’s indulgent selection of drinks. Servers stand over patrons to plunge jello injectors into their mouths, and revelers grab colorful straws to help drain 86-ounce booze buckets filled with sangria or other fruity libations. Pomegranate liqueur and honey-infused whiskey sweeten specialty cocktails, and local beers add depth to coolers stocked with Stella Artois and Dos Equis.
Legendary rock icon and influential multi-instrumentalist Edgar Winter struts his decades of musical savvy as his latest tour rollicks generations of fans. A child prodigy, Winter has built a long-lasting career on imagination and inimitable virtuosity. Famous for such classic-rock staples as “Tobacco Road,” “Free Ride” and the hummable No. 1 hit “Frankenstein,” the performer left his forever stamp on popular music by pioneering the use of keyboard body straps, synthesizers, and solar-powered kazoos in his live shows. Winter whisks away audiences on an electrifying trip through his oeuvre, hitting all the hits and running through genres with no regard for the genre guard.
Although The Rapture’s euphoric new album, In the Grace of Your Love, reveals a band that has matured into an art-rock juggernaut capable of captivating a wide spectrum of audiences, its defining essence remains rooted in the primal punk energy of its live show. Having taken the past few years to collect its thoughts and dust off its cowbells, the band marks its triumphant return with a night of pounding drums, pulsing synthesizers, and high-pitched howls courtesy of frontman Luke Jenner. Though described by Pitchfork's Andrew Gaerig as a “patient, skilled rock band unafraid to look uncool,” the trio’s suave brand of digifunk more than compensates for their between-song lectures on steampunk and multiverses. Opening duo Poolside draws on its experience playing in bands such as Ima Robot and the Calculators to incite bouts of dance fever with songs that fuse the clap-your-hands cadences of '70s disco with the casual leanings of '80s synthpop.
The Orlando Shakespeare Theatre's Educational Shakespeariences project aims to give students access to professional theater by performing 91 student-matinee productions of main-stage plays during the 2011–12 school year, with complimentary tickets for students from underserved schools. During the show, students can experience professional sets, costumes, and musical arrangements, bringing their school literature curriculum to life on stage. Student matinees introduce youth to the language and eternal themes of Shakespeare and the arts in general, which can help improve performance in social and academic endeavors.
Berto Ortega can't even remember the first time he picked up a pencil or paintbrush. By age 8, he was already a portraitist's apprentice while his peers were still working in the medium of macaroni and glitter. When he got older, Ortega bolstered his natural talents with a formal education at the Swain School of Design and Philadelphia's Studio Incamminati. Today, he teaches oil-and-acrylic techniques to painters of all experience levels. Ortega's own portfolio features portraits and landscapes rendered in a variety of styles: impressionist-inspired lilies, shadowy charcoals, and realist portraits in glowing hues.
For more than 25 years, the Festival of Orchestras has attracted internationally renowned symphony orchestras to fill central Florida with the crashing thunder of brass instruments and the melodious vibrations of strings. Hearken to the harmonious reverberations of the German State Philharmonic, playing its first U.S. tour and featuring conductor Philippe Entremont, whose enigmatic conducting style has inspired musicians and accidentally opened intergalactic wormholes. With this deal, you'll get to witness the orchestra at Longwood's Northland Performing Arts Center, called a "music lover's dream" by the Orlando Sentinel for its wide seats and warm acoustics. The program includes a sweeping performance of historically moving pieces, including Weber's Oberon Overture, a piano concerto by Mozart, and Mahler's Symphony no. 4. Call 407-539-0245 to reserve spots for a free optional pre-concert lecture at 6:30 p.m.