Housed on 55 sprawling acres of historic land, the Workhouse Arts Center hosts performance and theater venues, studios, event facilities, a gallery and exhibition space, and an ever-expanding community of artists in all-day workshops helmed by expert instructors. In an airy industrial room, students taking the Introduction to Flameworked Beads class wield oxygen-propane torches, forging small colorful beads to display as art or use as currency with naive aliens. Instructors show students how to effectively and safely handle the fire-spouting torch as they manipulate vibrant Moretti glass to create delicate and decorative glass beads covered in elegant designs or miniscule copies of the Constitution. Students should arrive prepared with a notebook and a packed lunch. Students should also wear long pants and non-polyester, natural fiber clothing, such as cotton.
When Lazy Susan Dinner Theatre's doors open for each evening's performance, guests are greeted and escorted to their tables where they can order cocktails. Then, with thirsts parched and pocket watches swinging, they move onward to a hot buffet of made-from-scratch Pennsylvania Dutch dishes, including breads, roast beef, chicken, fish, and housemade desserts. But sweets aren't the only treat here. After dessert, the curtain opens to family-friendly Broadway-style shows that incite laughter, explore American history, or challenge theatergoers to discern which actors are real ghosts. And to tie the dinner and show together even tighter, the performers are the same people pouring the coffee. DC Metro Theater Arts notes that "the warm ambiance found at The Lazy Susan is indeed half of the fun of going."
André Rieu enchants all tastes as he leads his Johann Strauss Orchestra through an evening of virtuosic swooning and dancing in the aisles. A violinist since the age of 5, after a biochemistry degree and two divorces, André radiates his lifelong love of classical music into the audience, tipping the scales of fancy and footloose. Like an omnipotent marionette artist, he maestros both the orchestra and spectators into enticing bouts of ballroom dancing, taking breaks between his Pied Pipering to excitedly play his Stradivarius violin. As Rieu interacts with the audience, the air fills with the kaleidoscopic balloons, lilting tenors and sopranos, and special surprises, which may include a John Philip Sousa séance or a tuba-hole marshmallow toss.
Since forming in the 1920s, the Harlem Globetrotters have continued to entertain millions of parents, children, and general basketball admirers with a trademark blend of athletic precision and razzle-dazzle showmanship. For the team's 2014 tour, a rotating roster of Globetrotter favorites—including three female players—takes to the hardwood each game. Spectators might spot veteran guard TNT sharing a behind-the-back pass with dunker Quake, whose high jump once cleared 7 feet, cruelly dashing his dreams of working in a ceiling-fan store. The Globetrotters might also present a study in contrasts with 5-foot-2 Too Tall and 7-foot-4 Stretch, the team’s tallest member.
During each Globetrotters game, youngsters laugh along and witness the jovial jocks performing classic routines of unconventional passing and sudden transmutations of water into confetti. To infuse their visits with an extra shot of unpredictability, the Globetrotters also let fans in each city vote on special rules for every game; past rules have included the use of a four-point shot and the installation of a penalty box. Over the years, similar antics have followed the Globetrotters around the world, including to 122 countries and territories and all six continents on which basketballs grow naturally. The Globetrotters’ extensive travels haven’t gone unnoticed: they’re one of the few teams to earn a spot in the Naismith Memorial Basketball Hall of Fame as ambassadors of the sport.