The specialists at Mr. Frame It take pride in preserving and enhancing memories in all of their physical embodiments—from artworks and photographs to prized sports souvenirs. They draw on more than 1,000 samples from brands such as Larson-Juhl to create custom frames that either serve as focal points or blend in with room decor. In addition to encasing children’s artwork and family portraits, the staff stretches canvases, mounts mirrors, and builds shadow boxes to house awards and first-edition time-share brochures.
The staff at Barnett's has been conserving the artwork of others with custom-made frames since 1951. Using molding that ranges in intricacy from plain black borders to the gold-leaf-trimmed arabesques of a Louis XIII–style frame, framers cut enclosures to fit paintings, family treasures, valuable artwork, jerseys, and flags. Then they choose from an inventory of acid-free mats and conservation glass to sandwich art into its hermetic new home. Owner Drew Derrick-Bisbee's traditional art training, meanwhile, helps him when he’s restoring damaged frames and art, undoing destruction caused by water, fire, or a gaggle of teething babies. Barnett's showroom is open Monday through Friday from 9 a.m. to 6 p.m., and Saturday from 10 a.m. to 3 p.m.
Thought it was opened just in 2012, the Harn Museum of Art's 26,000-square foot David A. Cofrin Asian Art Wing has quite a bit of history on its hands. There are nearly 700 works on display, all chosen from the museum's collection of more than 2,000 pieces. Dating from the Neolithic period to today, the pieces hail from countries such as India, Persia, Vietnam, and Japan.
Asian art makes up a quarter of the Harn's more than 10,000 works, which, along with travelling exhibitions, fill 32,800 square feet of gallery space. You’ll walk past African wooden masks, metalwork, and ceramics, as well as almost 1,000 modern prints, drawings, and paintings—including canvases by Claude Monet.
Breaking the tradition of many art museums’ “Do not touch” signs, the Bishop Study Center has exhibit-related objects that can be gently touched, though you are not allowed to break apart any sculptures in search of hidden treasure maps. Beyond exhibits, the Harn hosts frequent events including lectures, film screenings, live performances, and interactive programs for students and families.
Teaching hips to swivel to new circumferences, dance instructors impart their masterful moves unto students in the respected tradition Arthur Murray schools have upheld since 1912. Students can bring a partner to their lessons or fly solo and dance with the instructor. Protégés may find their new moves applicable in a number of settings, such as when prepping for a wedding dance or when blending into an airport crowd that breaks out in the cha-cha. Embodying the three-count time of a stately waltz brings partners in close, and rumba moves or swing steps add vibrancy and playfulness to a repertoire.
The Orlando studio provides a warm, aesthetically sound environment for engaging in private and group dance lessons. The full class schedule is well suited to teaching feet to slice and dice a rug until it is no longer recognizable.
A year before her death in 1959, Ninah Cummer—an art collector, garden enthusiast, and civic leader—donated her riverfront home and art collection to the community, imploring her fellow citizens to help support the foundation of an art museum. In less than 10 years, the board of trustees transformed the abode into the verdant Cummer Museum of Art & Gardens, adding to Ninah's original gift of 60 pieces until the collection included nearly 1,000 works of art.
Today, the permanent collection holds pieces that span more than four millennia, from 2,100 B.C. to the 21st century. An ancient Egyptian stone tablet intrigues viewers with cryptic hieroglyphs and stylized portraits while, nearby, Peter Paul Rubens' The Lamentation of Christ epitomizes the colorful, sweepingly histrionic style of the Baroque painters. American treasures include Gilbert Stuart's iconic portrait of George Washington—one of over 100 he painted in an attempt to perfect the likeness of the first president and design a killer mask for the White House Halloween party.
After getting their fill of indoor beauty, guests can head to the open air and vibrant scenery of the museum's gardens. Begun more than a century ago, the gardens crisscross with winding paths that take guests under the canopies of majestic oaks and alongside the Italian garden's shimmering reflecting pools.
Culled from samples found in her own backyard, Madge Wallace exhibited her first small naturalist collection in her New Riverside School classroom in 1910. Her museum relocated to a Victorian mansion in the decades to follow before settling on its current location on the south bank of the St. Johns River. Known as Museum of Science & History since 1988, the facility currently hosts changing and core exhibits that feature towering marine skeletons and interactive stations strewn through a mock digestive tract where visitors learn about bodily functions. At Currents of Time, history buffs can amass nuggets of local knowledge as they trace Jacksonville's history to more than 12,000 years ago. Elsewhere, The Bryan-Gooding Planetarium's 35,000-watt sound system enthralls guests at Cosmic Concert laser shows every Friday night, and monthly MOSH After Dark sessions educate adults with hands-on workshops and scientific lectures.