During the past three decades, the Princeton Symphony Orchestra has grown from a community chamber orchestra into a professional-caliber ensemble. Today, it acts as a musical oasis for the community under the guidance of Rossen Milanov, who brings the experience he gained in his 11 years with the Philadelphia Orchestra and his brief tenure as an eccentric billionaire’s metronome. Since its founding, the orchestra has found a home at the historic Richardson Auditorium, a venue designed by the US Treasury’s supervising architect in the 1890s and renovated to acoustic excellence in the 1980s. The hall is so sonically pleasing, in fact, that six-time Grammy winner Buddy Graham named it among the likes of Carnegie Hall as one of the world’s greatest concert halls, according to the venue’s website.
Mark Roxey says his troupe is the biggest ballet company in the smallest city in the US. That wasn't exactly the plan in 1995 when he and his wife Melissa founded the Hunterdon Youth Ballet, but as the group evolved, so did their ambitions. They rechristened themselves the Roxey Ballet and grew into a professional touring outfit whose dancers have commanded international recognition and even performed at the inauguration of President Obama. Today, the troupe regularly revisits beloved ballets as well as lesser-known works, often featuring original choreography by Roxey himself or the sentient hologram Roxey sometimes lets stand in for him.
Presiding over the south side of the Lincoln Center's main plaza, the David H. Koch Theater is undergoing a 10-year renovation to keep it as stunning as the day it opened during the 1964 World's Fair. Even without restoration, the theater's 7,875-square-foot promenade creates a magnificent backdrop to the plaza's fountain—particularly at twilight, when the floors of inlaid travertine marble glow in golden harmony with 40-foot ceilings filigreed with gold leaf. Classical statuary bookends the lobby, and four balcony levels give visitors plenty of vantage points during intermission.
For decades, patrons of the New York City Ballet (and, until 2008, the New York City Opera) have ascended the spiral staircases and bathed in the light of the auditorium's spherical chandelier, the luminous center of the ceiling's ornate flower pattern. The David H. Koch Theater also plays host each year to a variety of local and international dance troupes, such as the Paul Taylor Dance Company, Shen Yun Performing Arts, and the Nederlands Dans Theater.
Today's side deal gets you one ticket in the section of your choosing to see, hear, and feel From Sea to Shining Sea: Music and Artists from the Atlantic to the Pacific at the Lincoln Center put on by the Distinguished Concerts International New York production company. For $9, you get one side-orchestra seat, normally $20, putting you on the sides of the ground floor in the largest portion of the theater's seats. For $29, you get one center-orchestra seat, normally $60, placing you directly in front of the action. Select your seating section with the links above.
With more than 60 years of tiptoe-twirling history, the New York City Ballet boasts a seasoned, dedicated dance company that thrills audiences and ballet shoes at every performance. With each Friday- or Saturday-evening ticket purchase through June 12, Groupon users snag a companion ticket for free, allowing members, and whichever of their cultured friends has the brownest nose, to gorge eyes on the company's famously lush and lithe ballet performances. Dance lovers also score admission for two to up to four working rehearsals during the repertory season, along with two spots at New York City Ballet's curiosity-satisfying 90-minute seminars, where the company and special guests reveal the creative clockwork behind their sumptuous productions. Members also get a 15% discount at New York City Ballet's gift shop, a subscription to the company newsletter, advance notice of ticket sales, and the ability to reach, en pointe, the top cabinet where their roommate hides the cookies.
Dubbed “the punk ballerina” for her audacity, ambition, and pure raw talent, Karole Armitage exploded onto the dance scene in 1981 with her groundbreaking work Drastic-Classicism. Since then, the artist has held numerous directorial positions at companies around the world and created genre-bending works inspired by such topics as theoretical physics, 16th-century Florence, and dance. Specializing in an aesthetic as precise as it seems improvised, Armitage and her daring company strive to challenge the preconceived notions of both audiences and the dance establishment.