Named one of Parents magazine's Top 10 Birthday Chains in 2010, Color Me Mine's international franchise of DIY ceramics studios cater to an older crowd as well. Hundreds of unadorned ceramic pieces—including vases and flatware—await the attentions of muses of kids and their keepers alike, as do glazes in earthy tones and bright crimsons to frighten bulls away from china cabinets. Guests follow simple step-by-step instructions that leave plenty of room for creative expression. When painters are satisfied with their work, the professional kiln-workers help glaze and fire it for them before customers retrieve the finished piece a few days later.
Start by selecting a shapely canvas from more than 250 different varieties of bare bisqueware. Hot Pots' exhaustive catalog of clay creatables includes mugs, plates, frames, and figures. Prices average from $4 to $50, with a studio fee of $8 per person ($6 for kids ages 10 and younger). Use Hot Pots' design center to crib inspiration for mastery, or take the piñata approach by donning a blindfold, grabbing a brush, and hoping for a masterpiece or a pile of Smarties and pennies. Once you're ready to put paint to plaster, select from more than 70 shades of paint (including speckle style), as well as a line of glazes to accomplish an earthy look. Leave your finished creation in the skilled hands of the kiln masters after you're satisfied. Finished and glazed pieces are ready for pick-up in about one week's time.
Besides making clients happy, what do you like most about your job?
Sharing our knowledge to help newcomers to the world of knitting succeed and enjoy the process. We also like yarn a lot.
How is your approach different than that of other professionals in your field?
Our employees are experts; we are known for our knowledge of knitting and crocheting. We are also highly experienced teachers who won't waste our customers' time or add to their frustration by fumbling through the learning process.
When and how did you first develop a passion for your work?
When I learned to knit many years ago.
Is there anything else you want to add that we didn't cover?
To many people, knitting looks like a simple pastime for grannies. It can be done at a fairly simple level, but there is a great deal more to it than meets the eye. It is both a fascinating skill and an inspiring creative outlet. And it is very popular among younger women?and more and more men. Who wouldn't want to knit a hat as a gift for a friend?
In 1993, the publishers of 5280 canvassed the Denver area with the intention of getting at the heart of what's important to its citizens. With its name honoring Denver's mile-high elevation (5,280 feet)—the name 63,360 inches was already taken—the magazine's editors and writers seek to represent their city with in-depth, honest, and exciting stories about local arts, entertainment, and dining. Each glossy, full-color issue comes loaded with restaurant reviews and profiles of locals making an impact on the region. With recurring stories such as "Top of the Town," "Top Doctors," and the annual restaurant guide, 5280 aims to guide locals and visitors to healthy, enriched lives.
Today, the magazine boasts a distribution of 85,000, making it one of Colorado's top-selling magazines. It was also named one of the five best city magazines in America by the City and Regional Magazine Association.
For a small business, Riveting Frame & Design’s staff boast an impressive resumé: two members are artists—one of whom has a fine-arts degree—and the team has nearly a half-century of combined experience. Customers can meet with these experts at the store, where they will receive same-day quotes that detail all the possible design options. Working with the team, clients then choose a design from an extensive selection of frames, mouldings, mats, and fillets; with staff using computerized mat cutting to ensure accuracy. Additionally, Riveting outfits delicate artworks or especially successful peach cobblers in conservation framing, and the shop sells original and fine art, mirrors, canvas prints, and giclées.
Like a small-town railroad depot in the 1880s, the Colorado Railroad Museum’s main building features wide eaves and a bright-yellow exterior. The building reflects the Museum’s overall goal: to hark back to Colorado’s railroad era, a time when the state relied on its groundbreaking, narrow-gauge mountain railroads for supplies and information. Since 1959, the Museum has showcased the machinery of that time with an array of locomotives, passenger cars, freight cars, and cabooses. Alternatively, they present visitors with a glimpse of Table Mountain on the Museum’s train rides, enabling them to ride the rails in a bygone style without just taking the subway in an Abe Lincoln costume. To supplement its trains, the Museum hosts thousands of related rare photographs and artifacts, such as a replica of a 10,000-gallon water tank, humorously dubbed No Agua, that was once used to refill steam locomotives on the Chili Line to Santa Fe.