Aviation Xtreme's simulators let land-locked folk fly aboard jetfighters and WWI- or WWII-era aircraft in aerial missions or close-range combat. Aspiring aces strap into the cockpit of their simulator and choose from aircraft such as an F-15A Eagle, F-4 Phantom, or P-51 Mustang. After a short instructional video, they take off into the realistic blue yonder on a chosen mission, which can include an anti-ship mission or ground-attack mission. Each simulator is part of a larger computerized network, allowing friends to go head-to-head in a dogfight or team up to carve clouds into self-portraits.
Aviation Xtreme is housed inside Wings Over the Rockies Air & Space Museum, the former locale of the 1930s-built Lowry Air Force Base that closed in 1995, reports Frommer’s. These days, the 150,000-square-foot hangar houses more than four dozen airplanes, including five Century Series fighters and one of two B-1A Lancers on display in the world. The museum is even home to a full-size X-Wing Starfighter from Star Wars and the Harrison Ford Welcome Theater, where the staff starts each day in hiding to surprise Mr. Ford in case he visits.
In addition to aircraft from films, the museum’s space and rocketry exhibits include full-scale replicas of boilerplate spacecrafts used to train Apollo missions to the moon. Others models recreate planes in all their glory, such as the 16-foot Titan II launch vehicle, while hands-on exhibits replicate the conditions of space travel.
The Mizel Museum glimpses into Jewish heritage and contemporary experience with exhibits that showcase fine art, film, drama, sculpture, and music, while striving to promote a message of communal understanding and interculturalism. The museum’s permanent exhibit, 4,000 Year Road Trip: Gathering Sparks, explores the diversity within Jewish history with a combination of artistic elements, artifacts, and photography. The 27-acre Babi Yar Park, a project of the Mizel Museum and Denver Parks and Recreation, memorializes Holocaust victims from the Ukraine. Founded in 1971 and dedicated by Elie Weisel, Babi Yar Park will soon incorporate steel from the World Trade Center into its landscape.
Along with its exhibits and memorials, the Mizel Museum enlightens the public with outreach programs such as a Working Artists program and interculturalism sessions for teachers. An artist-in-residence program for preschoolers and grade-school kids helps them explore Jewish culture through art forms such as storytelling, puppetry, and blowing bubbles into letters from the Hebrew alphabet. The museum supplies abundant activities for adults, such as painting classes and programs that combine compelling discussion topics with wine and hors d’oeuvres.
In 1909, when Denver's Engine Co. No. 1 moved into its new two-story station, firefighters still relied on horse-drawn trucks to race to the scene of a fire. Those trucks now stand beside motorized vehicles in displays at the Denver Firefighters Museum, which has occupied the station since 1980. The nonprofit museum showcases more than 150 year's worth of firefighting history, featuring everything from tools such as helmets and bunking gear to the station's preserved officer's quarters and locker room.
Winding along the gallery floors, firefighter boot prints lead to educational stations with hands-on activities geared toward younger guests. Children can ride miniature fire trucks and poles, try on firefighting gear, and handle actual firefighting tools. To impart additional fire safety skills, the museum's experts teach programs both at the museum and inside local preschool and kindergarten classrooms. The museum also houses a unique gift shop with a melange of interesting, firemen-related items.
At Bella Glass Studios, students unleash boundless creativity during a variety of do-it-yourself craft classes including paint-your-own pottery, glass fusing, and glass ornament-making classes. The Twigs-N-Berries class equips students with the tools and necessary know-how to fashion two quirky, colorful pendants. Or they can create functional dinnerware in the Sue, She Needs a Plate! class. Students can also design key chains, letter openers, or the global currency: marbles. Throughout each class, staff members monitor students as they arrange smooth glass balls among thin vitrigraph to craft abstract compositions or wield colors as bright as their imaginations.
More than 70 U.S. government officials, including the current speaker of the house, have visited CELL Counterterrorism Education Learning Lab since its 2008 opening. Their appearances are a testament to the nonpartisan museum's comprehensive overview of domestic and international terrorism, all developed by prominent counterterrorism experts. The exhibit delves into topics ranging from terrorism's history and media coverage to terrorists' methods, and is home to artifacts including a piece of wreckage from the World Trade Center that stands above a memorial to 9/11. They also engage museum-goers' noodles throughout with interactive stations that quiz them on their new findings. Beyond being informative, the exhibits are also aesthetically alluring, having been designed by Academy- and Emmy-award-winning artists.
The self-guided exhibit isn't the only way CELL strives to educate the public about terrorism and the ways it can be prevented. CELL's events include quarterly symposiums in which experts and government officials gather to discuss security and counterterrorism issues. Part of its Community Awareness Program, CELL's free classes inform citizens about the constitutional methods they can employ to help prevent terrorist activities.
In 1979, New York's Metropolitan Museum of Art hosted a mammoth Clyfford Still survey. Little did museum-goers realize that it would be their last opportunity to see Still's work for more than 30 years. When he died in 1980, Still stipulated that his work be kept from the public eye until an American city created a museum dedicated solely to his art. His wife, Patricia, selected Denver in 2005; by November 2011, the two-story, 28,500-square-foot museum finally opened its doors.
Inside, nine galleries showcase rotating pieces from nearly 94% of Still's entire output, which includes approximately 825 paintings and 1,575 works on paper. Taken together, these pieces trace Still's evolution from representational painting to abstract expressionism, a shift he made earlier than contemporaries such as Mark Rothko and Jackson Pollock. Besides Still's artwork, the museum houses the artist's personal belongings, ranging from sketchbooks to recordings of the many prank calls he pulled on Pablo Picasso. In addition to preserving Still's legacy, the museum plays host to events such as liquor tastings, artist lectures, and film screenings.