Some things about the Clova Cinema have changed over the years; as it passed from owner to owner, it has been a video-rental shop, a youth centre, and a stage for live performances. But despite its numerous incarnations, the rich red facades, the art-deco decorations, and the bright marquee have remained proudly in place. These features hearken all the way back to the theatre's 1947 opening, when Humphrey Bogart dominated the screen and popcorn was popped in gleaming machines instead of Buick-sized microwaves. Now, the cinema's single screen flickers to life with weekly evening and weekend matinee showings of current releases. The theatre is rife with family touches, from the real butter on the popcorn to Cupcake the dog, who is on hand at matinees to entertain guests before the show and sniff out unsilenced cell phones.
Formerly the Lingerie Football League, the Legends Football League stands as the "fastest-growing pro sports league in the nation" according to NBC Sports correspondent Rick Chandler. That success owes much to the league's unique format, which pits two exclusively female teams in alluring uniforms against each other in full-contact football games on a 50-yard field. Donning football pads and helmets over their revealing performance wear, the female athletes block, juke, and sprint uninhibited by such frivolous gear as the NFL's heavy chainmail hauberks.
Two of Christian music’s most iconic artists, Amy Grant and Michael W. Smith join forces to spread the good news, leading congregations in melodious worship on their 2 Friends Tour. Since 1982, this dynamic duo has engaged millions to flock to their catchy, ecclesiastical pop music, sharing a musical camaraderie as impenetrable as a fortress with abandonment issues. Amy Grant, author of No. 1 hits such as “El Shaddai” and “Baby Baby,” has shared her gift of song for more than 30 years, selling more than 30 million albums, garnering six Grammys, and earning a star on the Hollywood Walk of Fame. Michael W. Smith has earned countless accolades with his tremendous songbook of head-bobbing hymns and choir-rousing hits. Sharing the stage for the first time in two decades, Amy and Michael thrill fans with new psalms and favorites from their sonic scroll, merging their sets with joyful duets and chemistry that crackles like Abbott and Costello after getting struck by lightning.
Harlem Globetrotters Playing Three-on-Five
Since forming in the 1920s, the Harlem Globetrotters have continued to entertain millions of parents, children, and general basketball admirers with a trademark blend of athletic precision and razzle-dazzle showmanship. For the team's 2014 tour, a rotating [roster](http://gr.pn/PHdb6w) of Globetrotter favourites—including three female players—takes to the hardwood each game. Spectators might spot veteran guard [TNT](http://gr.pn/rOe0P4) sharing a behind-the-back pass with dunker [Quake](http://gr.pn/QTIGVh), whose high jump once cleared 7 feet, cruelly dashing his dreams of working in a ceiling-fan store. The Globetrotters might also present a study in contrasts with 5-foot-2 [Too Tall](http://gr.pn/PHdmPh) and 7-foot-4 [Stretch](http://gr.pn/1dYrbUt), the team’s tallest member. During each Globetrotters game, youngsters laugh along and witness the jovial jocks performing classic routines of unconventional passing and sudden transmutations of water into confetti. To infuse their visits with an extra shot of unpredictability, the Globetrotters also let fans in each city vote on special rules for every game; past rules have included the use of a four-point shot and the installation of a penalty box. Over the years, similar antics have followed the Globetrotters around the world, including to 122 countries and territories and all six continents on which basketballs grow naturally. The Globetrotters’ extensive travels haven’t gone unnoticed: they’re one of the few teams to earn a spot in the Naismith Memorial Basketball Hall of Fame as ambassadors of the sport.
As half of “Boot Scootin’ Boogie” duo Brooks & Dunn, Ronnie Dunn has played everywhere from the arena to the rodeo, beer joints to casinos. His Texas twang and electric guitar chronicle 20 years of wide-ranging exploits on his self-titled debut solo album. After he and Kix Brooks played their last show together in 2010, Dunn set to work as the new album's sole producer and main songwriter. "This time around, I baked it,” he said. “I baked it and cooked it, and cooked it again.” His signature rowdy honky-tonk kicks through in the single “Let the Cowboy Rock,” and the poignant ballad of forgiveness, “Bleed Red," urges listeners to “turn the anger into water / let it slip through our hands.”