The highly anticipated college clash pits Virginia Tech against last year's WAC champion Boise State in what Rivals.com is calling the number one non-conference college football game of the 2010 season. Coming into this season, the Hokies are ranked number six in USA Today's coaches' poll, while the Broncos hold the number-five spot. Catch all the gridiron action from the stadium's party-deck, located at both end zones directly above the stadium's high-definition video boards. Once in the club-level zone, you and a fellow football fanatic have exclusive access to all the club-level amenities, including restaurants and bars, expansive lounges with plush leather chairs, and dozens of high-def televisions sprinkled throughout the area. Parking is included in the price of your Groupon.
All the moving and shaking inside Joe's has been known to register on the Richter and set off the sixth senses of forest creatures. Classes focus on styles and arts from around the world but are united by the common themes of fitness and fun, as well as by the plot twists in Donnie Darko and its sequel, Donnie Darko 2: Donnie Darker. The 20,000-square-foot performing center has enough space to accommodate a multitude of options—which it does—seven days a week.
THEARC is home to the only community theater in its area, which hosts the I Can summer program, an internship that teaches area young people ages 14–24 about technical-theater management. The eight-week paid internship will invite 10 new interns beginning this June for an introduction to the creative and practical skills required to produce and design plays. Interns also receive training in life skills such as resume writing, setting long-term goals, public speaking, and financial literacy. I Can aims to empower young people from disadvantaged backgrounds with the skills they need to achieve academic and career success. THEARC relies on the help of donations to provide each intern with the basic supplies they need to participate in the program.
THEARC Theater was created out of necessity. The first theater in Ward 8 in Washington, DC, it was founded to provide residents living east of the Anacostia River with expanded cultural opportunities and hide-and-seek spots. Constructed by local nonprofit Building Bridges Across the River, the theater aims to improve the lives of children and adults in southeast Washington through educational, health, and social-service programs such as free theater workshops and youth internships in technical theater management. Noting the tower of glass windows that crowns the entrance, the Washington Post called it "a veritable lighthouse of learning—a $27 million, 110,000-square-foot campus set on 16 beautiful green acres."
The graceful ease with which a good bartender mixes drinks masks the difficulty of the job, one that requires knowledge and dexterity—not to mention charisma. The seasoned barkeeps at Bartender of America, a TIPS-certified school, know what it takes to be a good bartender and lead their students through deliberate exercises inside a fully simulated tavern environment. Amid ambient sounds and music, novice bartenders dole out maraschino cherries and shake martinis while refining their conversational skills and learning how to identify underage kids by their mustaches. Fully committed students can opt for the entire Bar 101 curriculum, attaining a bartending license and valuable tricks for managing their resume and acing job interviews, while abbreviated classes offer insight into the fundamentals of the trade.
Brothers in arms, strings, and reality, Sérgio and Odair Assad hail from Brazil, where they were steeped in the Brazilian musical tradition like two man-sized sachets of tea. Over the years, they studied with some of the best guitarists in South America, honing their skills and musical partnership. More recently, the duo began further exploring the music of their ancestral homeland, Lebanon. Following the success of Sérgio's Lebanese-influenced composition Tahhiya II Oussilina, the Assads arranged a show that explores modern and ancient Lebanese work, the rhythmic motifs that Brazilian and Middle Eastern music never realized they had in common, and new, original compositions. The result was De Volta As Raizes, Portuguese for "back to our roots." Joining them on tour are the thoroughly embodied vocals of Lebanese-American singer Christiane Karam, the intricate dum-tek-kas of percussionist Jamey Haddad, and the double-handed support of pianist and singer Clarice Assad.