While other children were playing outside Charlene Randolph's bedroom window, she was buried in her coloring books, scribbling intently with her crayons. This passion for two-dimensional art led her to take a slew of illustration classes in high school, but it wasn't until college that she discovered the clay medium and the world of functional, three-dimensional art. Tossing her canvases and drawing pencils to the side, Charlene became the primary instructor at The ClayGround Studio & Gallery, a BYOB workshop that provides novice potters with all the tools, materials, and fire-breathing abilities needed to craft stoneware art. Charlene's own masterpieces are available for purchase through the studio's website or at various boutiques and galleries across the country.
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If the main objective of the glamour photographer is to make the model look attractive, there are probably more challenging subjects than Beyoncé and Christina Aguilera—but that doesn't mean David Blecman is complaining. The Positive Negatives founder and longtime shutterbug—he was named the photo editor of his county newspaper before his 20th birthday more than 30 years ago—has a history of plucking these plum gigs, having snapped pictures of celebrities such as Jimmy Buffett and Gene Simmons and worked for commercial clients including Sears, JCPenney, and Bath & Body Works.
At his studio, Blecman applies his skills toward shooting everything from headshots for models and actors to portraits of kids and teens. He also shares his expertise during workshops that cover both photography and modeling, so students can know what it feels like to be on both sides of a lens without giving their neighbors a turn with the binoculars.
AH Photo & Image commemorates clients' cherished moments through prints and digital images. The staff snaps shots that range from wedding shoots and family portraits to headshots. They also foster photography know-how through photo workshops for beginners.
Okello Dunkley designs his workshops for students who have just bought or are thinking of buying a DLSR camera but are mystified by its myriad gadgets and gizmos. The accessible nature of these classes has helped Dunkley spread them into nearly a dozen locations across the Midwest and east coast, where students as young as 12 learn how to take a digital camera off automatic mode and manually manipulate ISO light sensors and aperture openings. More advanced classes delve into working with difficult light?such as cloudy weather or days when the sun is set on strobe light?and others explore how to navigate computer software for photo manipulation.