The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
The nation's fourth-oldest orchestra, the DSO has been filling Detroit's music halls with top-notch euphony since 1887. By the 1920s, the orchestra came into its own, entering a golden age that saw them hosting such legends as Igor Stravinsky, Richard Strauss, and Sergei Rachmaninoff. After financial difficulties put the outfit's hall in jeopardy, a multi-decade fund-raising effort led to their triumphant return home in 1989. Today, the orchestra remains one of the most recorded symphonies in the country, bringing the classical canon to millions of listeners and giving orchestra members something to blast at family gatherings when their siblings start talking about their jobs.
The Detroit Institute of Arts takes the “s” at the end of its name seriously. The immense Beaux Arts building on Woodward Avenue isn’t only a setting for a top-tier collection of visual works that include Diego Rivera’s Detroit Industry frescoes, a van Gogh self-portrait, and ancient sculptures from Africa and Asia. It also opens the doors of its lecture halls, event spaces, and auditoriums for craft workshops, wide-ranging talks from historians and people who know how to draw really good cubes, film, and music. The latter two art forms find a home in the Detroit Film Theatre, a gilded, neoclassical auditorium that preserves a sense of coziness amid the grandeur.
Since 1936, the historic Gem Theatre has moved movie lovers to laughter and tears with films in an elegant, comfortable single-screen vintage theater. Peruse current showtimes and choose a first-run film, which may include a romantic romp, a superhero adventure, an independent feature, or Casablanca II: Electric Boogaloo. Guests pick up their sodas and popcorn at the concessions stand in the carpeted lobby, whose ornate table lamps cast soft light on potted plants and flowers. In the red and gold 916-seat amphitheater, upholstered floor seats beckon audience members and balcony perches provide a sky-high view behind marbled wood rails. Before the film, guests watch wrought-iron vines curl around colorful birds in sculptures flanking the screen. Sumptuous gold curtains hide the big screen until showtime, allowing staff members to finish reenacting each film’s climactic scene in private.
During its 20th season of socially engaging theater in southwest Detroit, Matrix Theatre Company continues to create challenging and visually compelling work that includes the community it calls home. The year of six plays begins with Southwest Story (October 14–November 13), a Detroit take on the story of Romeo and Juliet that explores the conflict between African-American and Latino cultures but fails to solve the mystery of how Shakespeare kept his goatee so pointy.
Entering its 54th season, the Detroit Repertory Theatre regales audiences with premiere performances of relatable comedies and dramas. This season, Engagement Rules splits sides with a comical analysis of love, spotlighting two couples who fight to maintain their relationships through personal turmoil and heated arm-wrestling matches. Burying the Bones weaves a thought-provoking story of a woman haunted by the ghost of her missing husband in post-apartheid South Africa, and Dead and Buried and Taking Care of Mimi fill the spring with inspiring tales of camaraderie and hardship.