Since its origins as a converted parking garage, Alamo Drafthouse Cinema has ushered film-lovers of all breeds into its auditoriums, even gaining a following among Hollywood legends; Quentin Tarantino has been known to host five-day movie marathons at Alamo. The theater has earned that reputation by making moviegoing a personal experience, from the menu of handcrafted snacks and locally brewed beer to the completely ad-free presentations before shows. Alamo?s ninja servers pick up written food and drink orders throughout the movie and serve moviegoers directly at their seat. The staff enforces a strict no-talking, no-texting policy by kicking out any offenders, falling just short of yanking them from their seats with a giant's shepherd's crook.
Both first-run blockbusters and classics are projected onto Alamo's silver screens in crisp 35-millimeter or digital format. Meanwhile, surround speakers immerse audiences in the cinematic soundscape, whether they're seated in one of the expansive theaters afforded to blockbuster reels or the more intimate spaces reserved for indie films wound around tiny bobbins. Despite Alamo's vow of silence, fan-centric Quote-Along and Sing-Along nights encourage guests to shout their favorite lines, and actors, directors, and other celebrities often attend special screenings to lead in-depth discussions. These exclusive events have led to acclaim for Alamo from publications such as Entertainment Weekly, which called it ?one of America's most fanatically unique moviegoing experiences,? and Wired, which opined that it "might just be the coolest movie theater in the world."
FunFlicks Outdoor Movies’ inflatables transform outdoor festivals, park outings, backyard parties, gymnasiums, and other spaces into pop-up entertainment venues. Helpful attendants drop off and set up inflatable screens for an evening’s viewing, along with high-definition projectors, DVD and Blu-ray players, and booming audio equipment or an optional short-range FM broadcast. Screens in 12-foot and 18-foot sizes provide intimate viewing for groups numbering in the dozens, whereas behemoth 45-foot screens can support audiences of more than 5,000 or act as a comfortable air mattress for a sleepy giant. The rentals can also be used to display slide shows, video games, and live television, and additional amenities such as popcorn machines provide guests with theatrical comforts.
Premiere Inflatables entertains with more traditional inflatables—in other words—ones that encourage people to climb all over them. Crews deliver dry and wet inflatable slides, inflatable obstacle courses, and bounce houses to parties, and after setting them up, perform a quick sanitizing wipe-down to ensure they're squeaky clean. All of the inflatables are made in the USA and none are more than 3 years old. Some of them even feature both a jump area and water slide that ends in a refreshing pool.
After restoring a cluster of vintage theater speakers that he bought on eBay, Josh Frank used them to launch Blue Starlite Mini Urban Drive-In in the middle of Texas' capital city. At the retro cinematic establishment, Frank and his staff beckon moviegoers to cool their car or jetpack engines while immersing themselves in feel-good flicks, many of which are time-tested pop-culture favorites such as E.T. and The Karate Kid. Two car hostesses stay on-hand to add to the nostalgic ambience, whisking concessions such as hot dogs, nachos, and pretzels to trays perched in open car windows or inside the mouths of especially hungry visitors.
Caitlin McFarland and Emily Gipson have spent years in the entertainment industry as producers, filmmakers, and audience members. After taking on all these roles at film festivals such as Sundance, Tribeca, and Doha Tribeca, they decided to give that same kind of exposure to a different media—television. With help from an advisory board assembled from professional producers, studio executives, directors, writers, and actors, they celebrate the small screen's history and future at the annual ATX Television Festival. Over the course of three days, festival coordinators screen celebrated current seasons, never-aired pilots, prematurely canceled series, and cult favorites—many followed by Q&A sessions or choral renditions of the show's ending credits with creators and cast. In addition to screenings, industry professionals gather for multiple daily panels on topics ranging from women in television to alternative production outlets. These same celebrity guests, spanning producers, directors, actors, and writers, also mingle with visitors during scheduled meet-and-greets. Visitors can break from the television-centric main events for live music sets and secret happy hours to coax the shier beers out of their taps.
Catching a flick at Moviehouse & Eatery is more than a feast for the eyes?it can be an actual feast, too. Outfitted with lush recliners and a friendly waitstaff, the venue's dine-in theaters invite guests to fill up on from-scratch dishes while watching the latest blockbusters. A full-service bar located in the lobby features local brews on tap, house wines, and signature cocktails, all of which can be delivered to viewers' seats.
But the focus on food doesn't mean the movies fall by the wayside. Take the Big House auditorium, for instance, where a wall-to-wall, floor-to-ceiling screen offers one of the largest viewing experiences in the region. Additionally, some of Moviehouse's theaters feature D-Box seating. These specially programmed seats are synced to the action in the film, meaning they rumble during car chases and giggle during scenes with George Clooney.
A. Michael Baldwin's film career began as a teenager when he had starring roles in films such as Kenny & Company and Phantasm. Now an adult, he's stepped behind the camera at My First Music Video, where he yields the spotlight to the next generation of young talent.
Each session begins in the recording studio, where singers lay down vocals on a track of their choice while Michael's team captures candid behind-the-scenes footage.
Once the song is ready to go, video stars film a performance inside My First Music Video's studio, which is furnished with a choice of backdrops. Next, the singer and Michael's crew film scenes at up to four indoor or outdoor locations. Approximately 10 days after the four-hour shoot, Michael sends a final cut of the high-definition clip, rather than projecting the video into the night sky to summon all talent agents.