A panel of certified instructors is ready and waiting to instruct students in the ways of balance and coordinated rhythmic motion. Bring a partner to your three lessons, or fly solo and dance with your instructor. In either case, you'll leave with a greater understanding of the dance style of your choosing. These lessons are ideal for a betrothed pair prepping for the big wedding dance or a fledgling fitness-seeker looking for a fun new way to get in ship shape. Stick to a stately waltz, spicy up life with a rumba, or feel vibrant and playful with a few swing steps in your personal repertoire. Whether you're an experienced dancer hoping to brush up on certain techniques or you have two left feet for feet and two right feet for hands, the lessons at Arthur Murray Dance Studio offer bountiful, dance-based benefits.
With 38 years of teaching experience and a certified national examiner for Dance Masters of America in tap, ballet, jazz, acrobatics, and modern, owner and instructor Kathi Nallia expertly guides students through the mysteries of movement. Aspiring hoofers of any age may enroll in a number of classes, whether it’s for improving energy and flexibility or saving the local summer camp from foreclosure in a marathon dance-off. Students are welcome to explore the expressive grace of ballet, jazz, or tap in the Adult Dance class, land a leading role with instruction in the Musical Theatre Training course, or show a toddler the basics of rhythm in Artistic Tots. Nallia's considerate dance instructors will patiently work with students of all kinds, whether they're competitive tap dancers or haven't danced since Bob Dole's "The Funkadelic-In-Chief" presidential campaign. Walk-ins are not accepted, as the instructor registers students on a first-come, first-served basis. Different classes are available six days a week. Call ahead for schedules.
The Performing Arts Series brings internationally recognized acts to dazzle Kansas City–based eyes and ears in the relatively intimate space of Yardley Hall. Lauded by the New York Times, choreographer Lar Lubovitch coordinates lithe bodies through the swift, public execution of modern dance. Greedy ears, meanwhile, can hoard the pleasures of Haydn, Mozart, Strauss, and the Beatles as performed by the renowned Vienna Boys Choir, whose top-secret youth serum has kept its carolers young for the 500 years of the organization's biblically long life. Viennese composers vie for your aural affections during the Philharmonic of Poland's first-ever U.S. tour, with arias spotlighting soprano soloist Izabela Matula as she sails her voice atop classic compositions by Lehar and Verdi. The New York Times has also given an appreciative nod to The Joffrey Ballet, whose classically trained foot workers leap and lunge to the orchestrations of Tchaikovsky, Richard Rodgers, and Philip Glass. Check out Johnson County Community College's website for more information about the series, and each individual performance.
Dance Amore's chief instructor Deborah Loomis has been performing for more than 20 years, boasting a resumè that includes acting, dancing, and singing with the Massachusetts Allstate Choir and taking to the stage as a female lead in Bye Bye Birdie. At Dance Amore, she puts this experience to use helping children and adults alike tap into their melodious side through an eclectic curriculum. Her dance classes cover tap, ballet, jazz, and hip-hop for different age groups atop Harlequin floors. She also translates choreography into calorie-busting workouts with Zumba programs. At sessions for toddlers, she encourages freeform movement and the development of motor skills, outlining dance's foremost basics, such as refraining from repeatedly hitting the speakers to find the music inside. Deborah guides pupils in the process of making their own music, as well. She oversees beginner's flute, piano, and voice lessons that set the stage for future practice. Parents and loved ones keep abreast of their children's progress by attending yearly recitals, where each student showcases their burgeoning talent.