Inside both of JJ Jump's two locations lies 7,000 to 12,000 square feet of inflatable challenges and bounce-based entertainment for children. The jousting arena settles sibling rivalries in a civilized and laugh-filled fashion, and giant slides send little ones safely toward the ground. But there's more to JJ Jump than jumping: each facility also boasts a creative play zone that is ripe with construction toys and a stage where children can let their imaginations run wild.
From time to time, the Clackamas facility morphs into JJ Extreme, where a kid wearing a harness can be suspended from the ceiling by a rope to swing back and forth under neon lights. Harnesses also come in handy for a slightly more competitive activity, during which youngsters zip past one another, running toward a basketball hoop and hoping to make a shot before a bungee cord pulls them each backward across a soft, inflatable mat.
At Inflatable Kingdom, kids can explore a whimsical empire built with color, imagination, and lots and lots of air. Inside the sprawling facility, children can bounce on towering castles, then careen down cushy slides. Inflatable Kingdom opens its world to the public during open-play sessions and birthday parties, which can be tailored to a special theme, including pirates, carnival, westerns, and obscure Secretaries of State. And Inflatable Kingdom also uses its shape-shifting space to host dances, weddings, teambuilding events, and other adult-related functions, which can be customized to your specifications.
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With more than a decade of experience producing urban and pop music, Kyle “Terminill” Steckley of Flatline Studios captures crystal-clear versions of clients’ tunes with professional recording, mixing, and mastering services. Clients settle into the private, comfortable studio to lay down solo vocal tracks or back up their melodies with an instrument. Musicians can croon into Peluso VTB or Blue Baby Bottle microphones, pound out tunes on keyboards, or moderate their volume to spell out “Let's Rock” with receivers’ blinking readouts. For the mixing, Terminill equalizes all tracks before layering sonic threads together for a polished, professional sound. Finished tunes emerge once Terminill masters tracks into radio-ready singles.