The Music Theatre Company's production of Merrily We Roll Along, a Stephen Sondheim composition based on the 1934 Kaufman and Hart play, weaves a show biz success story in reverse. The musical begins with Franklin Shepard’s wild fame as a film producer before unraveling nearly 20 years of his past to uncover countless love affairs, missed opportunities, and humble dreams.
Since opening its doors in 1998, Language Stars has introduced more than 30,000 children to foreign languages with small-group classes and full-immersion activities. Through a selective process, Language Stars recruits ambitious teachers from more than 20 countries who share a common goal of revolutionizing how and when American children learn foreign languages. Parents and Tots Classes are available for children between 1–3 years old, and Kids Only classes are available for children 3–5, 5–8 and 8–10 years old. Absorbent little minds soak up Spanish, Mandarin, French, German, or Arabic with the help of their FunImmersion approach, learning naturally through games, songs, activities and art projects to help kids finally understand their foreign-exchange imaginary friends.
Part restaurant and part concert hall, Austin's Saloon & Eatery houses both a sit-down dining room and a separate main stage showcasing local and national acts throughout the week. The restaurant's menu blends barbecue and inventive American fare with starters such as chicken wings ($7.95) and golden-fried beer-dough nuggets ($5.50) made to mimic the exact shape and alcohol content of most asteroids. Wrap hands and mouths around one of six burgers ($8.50+) or don a bib and dive into a barbecue combo platter ($17.95) pairing chicken and a half-slab of ribs, both cooked on a wood roaster.
Tressa Thomas has a résumé most performers would envy. She launched her career on stage with dozens of performances throughout Chicago as both a solo singer and band member. She landed a role in Robert Townsend’s film about 1960s R&B music, The Five Heartbeats, which led to a duet with the legendary Patti LaBelle on the film’s soundtrack.
This was all before Thomas turned 13.
Since then, her momentum hasn’t slowed—it’s just swerved in a few new directions. The Columbia College grad was cast in other movies (including Flatliners and Message in a Bottle), produced three independent shorts, and worked on a fourth that came just short of an Academy Award nomination. In the midst of her cinematic endeavors, she also pursued plus-sized modeling, eventually appearing in Ebony, Jet, the LA Times, and other national publications.
Given that she first started singing publicly at age three, when most children can’t yet tell the difference between music and the sound the vacuum cleaner makes, Thomas has never had an issue with confidence. But she realized that as a successful African-American, plus-sized female performer, she was a rarity. And so she decided to share her confidence with other women. She founded ThYck Troupe, a group that started modestly as a “modeling interest club” and grew into a nonprofit organization that creates performance opportunities for other plus-sized women.
Today, ThYck Troupe has gained the support of Secretary of State Jesse White and Governor Pat Quinn in its mission to enrich the Chicago arts community. In addition to mentoring young women and promoting size acceptance, the troupe produces an original web series, organizes fashion shows, and showcases performers in theatrical and musical productions. The company members represent nearly every medium of the creative arts—there are singers and dancers, poets and songwriters, models and actresses, journalists and radio personalities. With the Thyck and Fit Initiative, they broadcast a message of health as well as confidence, giving full-figured women and men the tools they need to achieve good exercise and nutrition habits at any size.