Gatherings blossom into full-blown galas under the ministrations of Fun-4-All Entertainment’s party accoutrements, such as balloon artists, live bands, and cotton-candy machines. The party supply service’s portable miniature golf courses let putters perfect their strokes anywhere, and its vast inflatable screens hook up to DVD-players or gaming consoles to furnish outdoor movie nights or gaming tournaments. Further party accessories nestle in Fun-4-All’s supply shop, which includes a range of items from noisemakers and rainbow-hued hats to sunglasses ideal for the best party activity of all, safely staring into your favorite lamp.
Winner of the JerseyArts.com 2009 People's Choice Award for favorite Professional Theater, Paper Mill Playhouse has been opening the curtain on top-quality musical theater and plays since its debut in 1938. The 25th Annual Putnam County Spelling Bee, a Tony Award-winning musical comedy, follows the travails of a group of young students participating in their countywide spell off. With hilarious tunes and frequent fourth wall demolition, the musical expertly tickles audience funny femurs while filling their ears with the harmonious euphony of the Tony-nominated score. Groupon buyers will leave the theater with a Paper Mill Playhouse cup (a $5 value), allowing patrons of the arts to signal their theater affiliation to rival gangs of symphony and museum cup holders.
One of the nation's most esteemed Shakespeare outfits, the Shakespeare Theatre of New Jersey has brought the playwright's work to life for the past half-century. But the troupe takes its name more as an inspiration than a strict limit, also mounting productions of other classics by writers such as Thornton Wilder and Noël Coward. Once a summer, the company takes to the College of Saint Elizabeth's outdoor amphitheater—modeled after Athens' Theater of Dionysius, a favorite venue for Shakespeare performances in Greece—to present the bard's work in the way he intended: alive under the open sky.
Playwrights Theatre stages productions of up-and-coming plays each year through its New Play Development program. The 2010–2011 season keeps the theatre's long-standing commitment to fresh ars theatrica with three works: Lost Boy Found in Whole Foods by Tammy Ryan, MoM A Rock Concert Musical by Richard Caliban, and Across the Wide and Lonesome Prairie by Julie Jensen. Your season subscription to Playwrights Theatre entitles you to view all three performances, receive a 50% discount on two tickets for family or friends, gain admittance to opening-night parties, and attend post-show talkbacks about new-play development and the inside story on plays. You'll also receive a pass to the FORUM staged reading series, enough to attend a reading of each of the series' 13 new plays and discuss the material with artists in an intimate setting.
A soulful songstress that dabbles in a mishmash of classic American musical genres, Joan Osborne blipped onto the nation's radar more than 15 years ago with the hit "One of Us" and remains steadfast well into the millennium. Immerse inner ears in an intimate acoustic set featuring Joan's pianist pal Keith Cotton and special guest Jeffry Braun. For this concert, The Ridgefield Playhouse will feature a complimentary preshow hors d'oeuvres spread from 7 p.m. to 8 p.m. and a full bar stocked with buyable libations. Groups should call ahead to reserve blocks of seats.
Founded smack-dab in the middle of Chester A. Arthur's presidency, The Metropolitan Opera has been a vibrant cultural center for more than 130 years. The Met's accomplished conductors, performers, and composers form a who's who of opera?Arturo Toscanini and Gustav Mahler are among them?and they've premiered some of history's most remarkable works, including those by Wagner and Puccini. The current music director, James Levine, has steered the ship since 1976, witnessing not only the birth of groundbreaking works by Philip Glass and Tobias Picker, but also the creation of new opera fans across the country. In 1977, a televised performance of La Boh?me reached more than four million people, leading to regular broadcasts and HD screenings in movie theaters.
Since 1966, the Met's performers have sent their voices soaring in one of the world's most stunning opera houses, designed by architect Wallace K. Harrison. Past the lobby's two towering Marc Chagall paintings, twinkling Viennese chandeliers light the way to nearly 4,000 seats. There, the auditorium's timeless design blends seamlessly with technology: on each seat back, a small screen displays simultaneous translation through the company's unique Met Titles system, granting audiences the chance to follow the libretto in English, Spanish, or German.