The Skirball Cultural Center is a renowned museum, vibrant performing arts center, and prestigious educational institution that is dedicated to sustaining Jewish heritage while welcoming visitors of all ethnic and cultural identities. Members get unlimited year-round access to museum exhibits, including Noah's Ark. The popular interactive gallery inside a massive wooden ark is filled with animal puppets (made from recycled materials) and hours worth of creative, challenging activities for kids of every shoe size, all aimed at teaching the value of community and sustainability without having to live among Himalayan monks for seven years. Children must be accompanied by an adult, and members should call ahead to schedule a timed entry or book online.
Petroleum mogul Dr. Armand Hammer clung to life just long enough to see The Hammer Museum make its debut in 1990, passing away three weeks later. Without the founder’s support, construction screeched to a halt and spaces sat in varying states of completion. But not for long. The powers that be at UCLA saw Hammer’s vision, and took control of the abandoned museum in 1994. They restored it to its former glory by importing the university’s own collections and staff. Today, The Hammer’s unique compendium of works still hints at the unlikely collaboration that bore the museum all those years ago. Its stockpile of masterpieces explores the modern-day in a contemporary collection of mostly drawings and photographs. Richard Hawkins’ disembodied zombie george green might best embody current artistic trends; his expressionless eyes stare from a yellow backdrop, the handiwork of an undead inkjet printer. Meanwhile, the Armand Hammer Collection, left behind by the museum’s namesake, balances george and other outlandish works with 19th-century art by Degas, Cézanne, and van Gogh. It’s virtually impossible to predict whether rotating exhibits will land in classic or contemporary camps. They range from performance art installations—Floor of the Forest depicts two dancers moving through hanging jumbles of used clothing and ropes—to sculptures, paintings, and drawings. To cultivate better artistic understanding, the Hammer Museum hosts events including lunchtime art talks, tours, and screenings.
With an arsenal of informative magazines, elegant photographs, and illuminating documentaries, National Geographic has inspired planetary responsibility and natural wonderment for more than 120 years. Their latest filmed adventure, The Last Lions, ushers viewers into the wetlands of Botswana's Okavango Delta, where a lioness named Ma di Tau and her cubs fight for their survival. From fleeing raging fires and cub-killing rival prides to wading through crocodile-infested rivers and the supermarket at rush hour, this family suffers perils that leave audiences touched and awestruck. Crafted by award-winning filmmakers, Dereck and Beverly Joubert, and narrated by Jeremy Irons, The Last Lions aims to raise awareness of dwindling big-cat populations while sharing a compelling story of hope. The film is rated PG for depictions of the food-chain cycle without the accompaniment of an Elton John song.
The Paley Center for Media's international collection is like a window into broadcasting's past. Nearly 150,000 radio and television programs chronicle political and cultural history from the last 100 years, dating back to when Marconi first invented the radio and, as a by-product, listening. At locations in Los Angeles and New York City, curators help visitors browse through these documentaries, public affairs programs, and commercials. They also host special events, in which media leaders interact with the public first hand. Since 1984, the annual Paleyfest has welcomed panels with the creators, writers, and cast behind some of media's most influential programs. Attendees have gained insights into shows such as 30 Rock, True Blood, and Modern Family. In more recent years, the Paley Center has started examining the significance of new media on the internet.
Galerie Michael is a unique fine art gallery located on the famous Rodeo Drive in Beverly Hills for over thirty years. The gallery’s model is built on posterity rather than prosperity, which means a long term view on working with collectors in “building museum quality collections, one work at a time”.
In the late 1980s, the Simon Wiesenthal Center gathered top museum leaders and representatives to discuss new ways of teaching tolerance to a younger generation. Since 1993, the Museum of Tolerance has encouraged visitors to contemplate the effects of intolerance with interactive exhibits on the Holocaust as well as present-day discrimination. The guided, 70-minute sound-and-light presentation at the Holocaust exhibit recreates Nazi-occupied Europe, and the Finding Our Families, Finding Ourselves exhibit showcases diversity through the personal histories of several American celebrities, including Billy Crystal and Carlos Santana. Some of the museum's features also examine more recent issues, such as the Tolerancenter, which highlights the struggles of the civil-rights movement and enlightens museum goers on contemporary human-rights violations. The museum also hosts special exhibitions, live testimonies from Holocaust survivors, and youth programs, such as anti-bullying workshops.