Situated on the rooftop of a local parking garage, Electric Dusk Drive-In is a high-altitude destination for a classic cinematic experience. The soundtracks of time-tested favorites and current releases stream out of car radios tuned to the theater’s FM station. In front of the screen, a spacious patch of astroturf grows from the concrete, inviting on-foot viewers to lounge in camp chairs as they watch. Carhops weave from vehicle to vehicle to deliver orders of popcorn, burgers, and sodas, as well as eclectic treats such as oatmeal-cookie pies, cups of ramen, and honey-glazed film reels.
The Roy and Edna Disney/CalArts Theater, which the Huffington Post calls “the gold standard of the avant garde in LA,” introduces members to emerging local and international artists with gallery exhibitions and innovative performances in art, music, dance, film, and multimedia. In time for the debut of the 2012 schedule, individual members enjoy a 20% discount on up to two tickets to each of REDCAT’s theatrical productions, which include Lars Jan’s genre-defying Abacus, with high-tech effects and compelling performances that explore media’s persuasive power. With 24 hours’ notice, members can trade in tickets for another date, increasing their chances of catching chats with filmmakers such as William E. Jones, comedy sets by jokesters such as Sandra Bernhard, or recollections of '70s New York by former Yankees shortstop Lou Reed.
Vancouver hometown heroes Theory of a Deadman return to their roost in an exertive panorama of stadium-sized riffs and hard-rocking party anthems. Like the letter E at an optometrist’s office, the band has grown accustomed to the top of the charts, with mainstream rock hits such as “Lowlife” and “Bad Girlfriend” and the life-affirming sing-along “Hate My Life.” Stuffing kevlar crunch, post-grunge, and rockabilly into its sonic calzone, Theory of a Deadman dethaws January fans with seasoned classics and newborn cuts from its latest smash The Truth Is…. Locally acclaimed indie rockers Louder Than Love whet aural appetites in their opening performance as they juggle genres without falling off their tandem unicycle.
Over the course of the summer, Street Food Cinema rolls out more than a dozen events that showcase the greatest hits of the silver screen and the LA food-truck scene. When the gates open, guests spread blankets on the grass, pop open coolers, and, when showings are at Exposition Park, even settle down with their dogs—the park is pet friendly and broadcasts canine subtitles for each film. Live bands presented by The Viper Room play until dusk, when crowd-pleasing movies such as Edward Scissorhands and Reality Bites slide across the big screen. Meanwhile, a rotating food-truck schedule assembles a diverse curbside lineup, which might include short ribs from Kogi Korean barbecue or the gooey delights of The Grilled Cheese Truck.
Street Food Cinema's eclectic assemblage of food, music, and films has picked up attention beyond the park's bounds, snagging mentions on NBC4 and in the Huffington Post's Broke Girls Guide. It's also become known for its philanthropic work: each year the organization supports one designated local charity.
As Karie Bible strides across Hollywood Forever Cemetery, the hem of her mourning gown absorbs dew from the gravesites of Douglas Fairbanks and Jayne Mansfield. She tours the cemetery for a living, leading groups to crypts and monuments that mark the remains of deceased celebrities. Whether recounting the legacy of actress Marion Davies or kneeling at the spike of grass that marks Carl "Alfalfa" Switzer's final resting place, she immerses tour-goers in Hollywood history. Each tour lasts about two hours and sheds light on cherished stars, as well as lesser-known entertainers and community members.