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The Bel-Air Film Festival shines a bright light on film reels from around the world, offering a diverse schedule of independent shorts, documentaries, and feature-length films. The fest kicks off with My Father's Will, a U.S. feature that centers around a wealthy businessman who, in accordance with his father's last wishes, must distance himself from his affluent identity and hefty bank account for one month of self-discovery, reflection, and, most likely, frozen TV dinners. Starting Thursday, things heat up with four to five showings a day, including The Italian Key from Finland and Trophy Kids from American director Josh Sugarman. Friday and Saturday's festivities conclude with complimentary wine-tasting events before after parties and competitive Kurosawa name-droppings take center stage. Monday wraps up the whole festival with a screening of Face to Face, a film many consider to be the Australian version of 12 Angry Men.
As the theatrical sales and marketing branch of 3D Entertainment Holdings, 3D Entertainment Distribution Ltd. focuses on the distribution of films that leap off the screen to dazzle viewers. Their movies transport audiences to exotic worlds, most notably the cerulean depths and underwater French bistro seen in Jean-Michel Cousteau's film trilogy, which grossed over $84 million at the box office.
The lives of six strangers — a lawyer too busy to spend time with his family, a young journalist looking for a career-starting story, a widowed former cop and his mischievous son, a couple with secrets to hide — collide in this dramatic thriller from Academy Award nominated director Henry-Alex Rubin. For the official synopsis of the film, click here.
The cast features Golden-Globe winner Jason Bateman (Identity Thief, Up in the Air), Alexander Skarsgard (True Blood, Melancholia), and Paula Patton (Precious, Mission: Impossible – Ghost Protocol). Peter Travers of Rolling Stone praised the cast's performances, highlighting Bateman's role as "just tremendous" and Skarsgard's work as simply "outstanding." Richard Roeper of the Chicago Sun-Times gave the film four out of four stars and raved: "Disconnect struck a chord with me in a way few films have in recent years." Newsweek hailed the thriller as "The Best Film of The Year."