The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Nestled within the acoustic splendor of the Blossom Music Center's pyramid-shaped pavilion, you’ll be close enough to taste the high notes of the piccolos, the vibrato of crashing cymbals, and the sass of brassy fanfares as the Blossom Festival Band fills the air with patriotic music. Led by conductor Loras John Schissel, the program will include the toe-tapping marches of John Philip Sousa, a salute to the U.S. Armed Forces, and Tchaikovsky’s 1812 Overture. As long as the weather allows, fireworks will follow the concert—an exploding cherry bomb on top of the sweet sundae evening.
Under the batoned direction of world-renowned conductor Carl Topilow, the members of Cleveland Pops serenade audiences with expressively performed renditions of diverse musical selections. Now in its 16th season, the orchestra will honor the Magnificat 1955 Founders Society on August 20, performing upbeat jazz, swing, and Dixieland songs, then ending with a dramatic retuning of the entire string section. Perfectly timed transitions and heartrending melodic threads attest to the squad's close bond with its cofounder and conductor, a multitalented virtuoso who alternates waves of the baton with behind-the-back riffs on his cherry-red clarinet.
Tickets in these sections are first-come, first-serve, so book early for the best seats. Ticket-holders who arrive at 6:30 p.m. will also get to enjoy an informative hour-long discussion of the concert’s lineup of pieces and the fascinating stories behind them.
Since 1913, the Erie Philharmonic has been on a melody-driven mission to enrich its surrounding communities with live concerts and stirring performances. Tchaikovsky's symphony begins by spotlighting one of America's most successful composers, Christopher Theofanidis, as he conducts "Rainbow Body," an evocative movement inspired by medieval mystic Hildegard of Bingen and her propensity to lead chants at high-school football games. Next, guitarist Ana Vidovic continues her drag race to the top of the classical genre by cramming the swaying, syncopated rhythms of a Spanish concerto into open ears. Pathétique closes the evening with a spirited rendition of Tchaikovsky's final symphonic piece. Fueled by the juxtaposition of varying emotions, Pathétique tows listeners to the top of triumphant crests, only to yank them back into the darkened valleys of personal upheaval and frustration over uncertain weather forecasts.