The curators of the Marietta Museum of History honor the heritage of Marietta and Cobb Counties with educational events, rotating exhibits, and four specialized galleries that focus on different facets of Marietta tradition: home life, general history, the military, and the Civil War Union Raiders. Since 2000, museum staffers have hosted more than 90,000 visitors, guiding groups past Native American artifacts and antiquated industrial machinery in the General History gallery and navigating a 15.5-acre aviation park filled with civilian and military aircraft manufactured in Marietta. Guns, shells, and uniforms line the cases in the Military gallery, which elucidates the stories of the Civil War, World Wars I and II, and Vietnam, among others. The museum?s special exhibits rotate several times a year, with themes such as Y?All Come Eat: Exploration of Southern Food Ways, which features the nation?s largest display of antebellum macaroni costumes. Visitors can drop by Monday?Saturday, or pick up a membership to receive a newsletter and special invitations.
Arthur Murray has been a leading name in franchise dance since 1912, when the entrepreneur began selling mail-order dance lessons. Expanding his reach, he enlisted teachers to spread his signature dance lessons on first-class steamships and skyrocketed to fame in the '30s after introducing the public to such dances as the Lambeth Walk and The Big Apple. By the 1950s, Arthur and his wife, Kathryn, were hosting their own highly popular TV show on ABC, The Arthur Murray Dance Party, which ran for 12 years. Today, Arthur Murray's team prepares students for rug cutting at special events and weekend nightclub jaunts. Throughout lessons, instructors teach the foundations of two to four dances from a long list of styles that range from Latin to country-western, helping students to learn basic step patterns, timing, and the ability to lead or follow.
With thousands of frame and mat samples, The Great Frame Up can satisfy any and all framing fantasies. The expert framespeople can make diplomas radiate (most diplomas can be framed for around $100), personalized jerseys glisten (most for under $300), and dorm-room movie posters sparkle (many 24x36 pieces are under $100). The design wizards can also find a home for any prized possession, such as shoebox photos, baby booties, ticket stubs, medals, and really good pot roasts. The Great Frame Up’s no-hassle guarantee and assurance that all work is done on-site means your frameables won't be subject to mistreatment at underground commercial framing facilities.
Artistic inspiration strikes a bit easier within the cheery confines of Corkscrews and Canvas. Opening their doors to visitors of all skill levels, the instructors lead spirited classes that allow students to create their own original piece of artwork in just a few short hours. Classes include all of the necessary materials, meaning that students don't have to worry about about bringing any paints or brushes with them. Instead, they can relax with a drink before preparing to transform their blank canvas into the picturesque scene selected for the evening, such as a rainy streetscape, a field of blooming flowers, or a particularly famous barcode. Throughout the entire experience, the instructor will help keep spirits high while also providing step-by-step directions and artistic guidance.
Tiberius, Rome's second emperor, stares at each visitor who enters the Michael C. Carlos Museum of Emory University. His eyes are steady, his expression one of quiet contemplation, and his head?thanks to the Museum's in-house conservation team?a vision of white Parian marble. The Museum, located on Emory University's campus, exhibits more than 17,000 artifacts like this one. Through diverse displays, they transport visitors back to ancient Egypt, Nubia, Greece, Rome, the Near East, Africa, Asia, and the Americas.
Tiberius is certainly one of the Museum's more prominent pieces, but it is by no means the oldest. The Greek and Roman collection encompasses Neolithic works that stretch back to 4,000 BC. Egyptian exhibits travel back even further into civilization's earliest prehistory. Many of the coffins and mummies come from one of Emory's own, Professor William Shelton. He traveled to Egypt in 1920, and among other things, brought back the oldest Egyptian mummy in the Americas, the Old Kingdom Mummy.
Other galleries contain 2,300 objects from the ancient Americas. More still travel deep into South Asia, allowing visitors to view one of the Museum's more significant pieces: a rare sculpture of the 18-armed cosmic Vishnu above his numerous attendants?a reflection of the stunning artistry of India's medieval period.
Such a sprawling and eclectic collection would perhaps be overwhelming if not for the Museum's educational programs. History and art experts lead tours and teach classes for both adults and children, including a regularly occurring session on Saturdays known as "Artful Stories at the Museum." During these free events, kids hear stories of ancient civilizations, before creating their own works of art based on the day's teachings.
Matt Janke dreamed of landing the perfect glass-blowing job. After moving to Atlanta in 1986, he realized there wasn't a single glass studio in town, granting his art a ready-made niche. After settling in, he returned to grad school, earning an MFA in glass with the intent to launch his own university program and ultimately procure his own space. By the time he graduated in 1992, Matt further honed his skills, stockpiled equipment, and, in 1996, opened his own studio and hired himself.
Beyond the perks of being his own boss, having his own studio affords Matt a great deal of creative freedom. He infuses all his handblown light fixtures, tumblers, and vases with the prismatic swirls of his signature style, in which precise lines and natural variations vie for attention across undulating surfaces. A downtown gallery space facilitates sales of these works.
But the studio has also fulfilled more than Matt's original goal of finding glass-blowing employment, going on to catalyze a glass-blowing community. From single apprentices in the early days, the studio is now a full-fledged classroom, with space for five instructors, a dozen students, and the kilns that must melt their glass until they each finish their training by capturing and taming a fire-breathing dragon.