The Hershey Theatre, conceived in 1933 by noted philanthropist and chocolatier Milton S. Hershey, stands as an opulent tribute to the performing arts. Taking architectural cues from Saint Mark’s Basilica in Venice, the foyer’s towering arches gleam with golden paint and crystal chandeliers. The blue-and-gold mosaic that leads to the main seating area is the masterwork of two German artists who spent two years on its construction. Once inside the theater, audiences might think they’ve stepped onto the streets of Venice thanks to the atmospheric ceiling, stonework facades, and gondoliers paddling them to their seats. ####Bethel Woods Center for the Arts Music has permeated the 800 manicured acres where the Bethel Woods Center for the Arts has stood since 1969, when farmer Max Yasgur agreed to let love, peace, and harmony grow wild at the very first Woodstock festival. These days, the renowned outdoor venue and cultural center continues to attract the biggest acts in music to its pavilion stage. The open-air design ensures ample ventilation on the natural sloping lawn, and a roof protects up to 15,000 fans from inclement weather and the prying eyes of Cessna pilots.
Before Bell Biv DeVoe warned that girl was “Poison,” Johnny Gill “Just Got Paid,” Ralph Tresvant boasted his “Sensitivity,” and Bobby Brown declared it was “My Prerogative,” all six new jack swingers strutted across stages as teen sensation New Edition. Fully reunited and dressed to the nines, the soulful sextet packs the stage with decades of accumulated Top 10 classics and smooth dance moves. The nearly two-hour set spans the group’s entire career, from falsetto-laden classics such as “Candy Girl” and “Cool It Now” to later hits such as “If It Isn’t Love,” all mixed with stacks of tracks from their successful solo careers. This tour finds them putting on a show that's "loose, fast-paced, high-spirited, loaded with hits and personality, and thoroughly entertaining," according to the Newark Star-Ledger review of a recent concert, bringing to life a catalog of songs that sticks to ears like honeycomb earmuffs.
The mission of the Fresno Philharmonic is to present high quality, live orchestral music to audiences throughout the San Joaquin Valley. Inherent in this statement is a commitment to education and outreach, and a requirement that the mission be carried out in a financially responsible manner.
The Modesto Symphony Orchestra begins 2012 with a two-hour journey through the classical compositions of Mendelssohn, Beethoven, and Tchaikovsky. One hour before the performance, both those familiar with and new to classical music can learn more about the evening's program and secret baton semaphoring at the pre-concert conversation with conductor David Lockington. Inside the Rogers Theater, meticulous audio specs lavish ears with lush sound. The theater's shoebox design and retractable draperies tune the hall to coax precise reverberations from symphonic sounds.
Founded in 1926, the Stockton Symphony has plucked at audience's heartstrings for the best part of a century. First on the evening's program is Mozart's overture to The Abduction from the Seraglio, a brisk curtain-raiser that combines lively percussion with swooping strings. Next up is the Symphony No. 38 in D Major, a work renowned both for its elegant restraint and its emotional appeal, much like a dolphin in an Abraham Lincoln costume. The finale, Mozart's Requiem, is universally considered one of essential works of classical music. For its performance, the Stockton Symphony welcomes to the stage the Stockton Chorale and soprano Anja Strauss, whom San Francisco Classical Voice has called, "explosive."