At FieldCrest School of Performing Arts, students ascend through three levels of stardom?I'm a Star (for toddlers through preteens), Fashion Plate (for toddlers through preteens), and Camera Ready (for teens)?through bundles of acting, modeling, and dance classes that build a solid foundation of arts education. Acting classes build upon pantomime and improv before moving into performance and technique, and modeling sessions teach students how to prowl and pose like a pro on the catwalk. Ballet, jazz, tap, and hip-hop lessons give pupils the grace and moves they need to perform classical and contemporary routines.
Since its founding in 1977, FieldCrest has cultivated a motivational environment that encourages self-expression and poise. Besides arts classes, it also offers etiquette courses that can convert even the most slovenly kids and adults into Miss Manners devotees.
For more than 40 years, the professionally trained instructors at Celeste Dance Studio have helped students 12 and up learn to shuffle and twirl during ballroom-, Latin-, and contemporary-dance classes. Students land on their feet during tumbling classes, move to the beat during hip-hop sessions, and explore an ever-evolving art during modern-dance lessons. Ballet students don slippers and flutter through class with style and grace, while tap classes teach intrepid soft-shoers to communicate in Morse code. Specialized classes in ballet, tap, and acrobatics are also available for younger dancers ages two-and-a-half to six. Intricately choreographed dance routines are performed on stage at the studio's yearly recital. Check the schedule to see a full list of current class days and times.
The consortium of professional instructors at Fred Astaire Dance Studio, which was cofounded by legendary toe tapper Fred Astaire himself, shepherd students of all ages and skill levels through lessons that span the style spectrum. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or mambo.
Bursting with two fully equipped dance studios and a philosophy of noncompetitive learning, Dance Center of LaGrange brings skilled teachers and a miscellany of dance types to the feet of dancers both young and old. Tykes can twirl toward the 45–60 minute summer-session classes to introduce tentative toes to preballet and creative movement (ages 3–4), learning new moves and gaining confidence while composing a rhythmic symphony with their 10-toed orchestra. The Storycise class (ages 3–5) combines storytelling and exercise to produce a hybrid fitness adventure filled with heart-pumping moves and poses that spell entire novel chapters. Teens can hit up the modern/jazz class for a medley of Broadway-style shimmying, and grown-up steppers can twist into adult tap, lacing up specialty shoes to conquer rapid routines and drum out grocery lists onto the hardwood floor.
Chicago Elevated, run by effusive improv veteran Margaret Hicks, leads curious charges on eclectic group, private, and custom tours of the city. Jaunts lead natives and tourists alike through the city’s oft-overlooked nooks and crannies as Hicks’s jovial voice narrates every step, shedding light on secret areas and easily overlooked historic sites. Her pedway tour sojourns into Chicago’s tiled subterranean antecity, where retailers, restaurants, and mole people mingle. Tours explore sites of famous disasters, visit the ghostly red-light district that once stretched below what is now Printer’s Row, and gaze at downtown’s ornate architecture from the riverwalk.
Stationed in Wrigleyville after college, Hicks accrued the healthy sense of humor and comedic timing that pepper each tour at Second City, iO, and other theaters. Though she attempted a move to New York City, Hicks soon discovered she couldn’t stay away from Chicago’s majestic skyline or the skyscrapers’ subtly receding hairlines. A stint in the Chicago Architecture Foundation’s docent program, as well as acting as a tour guide for six years, arm her with insider’s knowledge that soon transfers to listeners’ brains.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.