For more than 30 years, Barry Manilow has romanced the airwaves and the hearts of millions worldwide with his ethereal melodies, relentless showmanship, and touching sincerity. With his ageless, silky voice, Barry’s continues to tug the heartstrings of boomers and bloomers with his timeless tunes, including “Mandy,” “Copacabana (At The Copa),” and “Could It Be Magic.” For this very special Florida visit, the magnanimous Bank Atlantic Center is proud to host Barry Manilow along with his razzling, dazzling cast and the Charlotte Symphony Orchestra.
Now & Then Dance Studios’ dance instructors let students pick from 21 styles of dancing, including waltz, salsa, and merengue. They make sure to integrate private classes, group classes, and supervised dance parties in their lesson programs, which have produced successful dancers for 35 years. They dance atop dance floors to reduce impact on joints and pump music through digital sound systems.
Founded in 1951, Adventure Theatre MTC has been the longest-running children’s theater in the Washington area and has earned a mantel-overloading amount of awards throughout the decades. Alongside professional and student productions, the theatrical powerhouse hosts camps and workshops to expand the performance arts, instill the love of the stage in children, and help teens to act like they care about the SATs.
Atlantic Ballroom's esteemed faculty of trophy-touting toe tappers serve casual and competitive cavorters of all ages and backgrounds. Aspiring Astaires can trip their way through several styles, including Latin, American Smooth and Rhythm, and club-ready dances such as salsa, the hustle, and the awkward head-nod. Group classes are held once a week over the course of a month. Unlike TV crime dramas, each week builds upon the last, with every measured step nudging its way into malleable muscle memories that eagerly anticipate the next installment. Consult the schedule for class times.
Erica Saben's passions have taken her near and far. She studied dance, political science, and Caribbean culture in Kingston, Jamaica, before returning to the United States to perform with several multicultural companies. A juggling gig in Philadelphia introduced her to two local circus experts who knew the director of Philadelphia School of Circus Arts. From this chance meeting blossomed a new chapter in her life: in addition to teaching her her big-top skills such as aerials and tightwire, they introduced her to Chinese acrobat Lin Junming, who would become her resident acrobatics coach when she founded Charm City Movement Arts.
Nestled between Canton and Brewer's Hill, the studio and performance space lets children and adults live the lives of professional circus performers without having to sneak into a tent disguised as a barrel of clown feed. Each instructor boasts experience in diverse movement backgrounds: Lin is also a member of the Fujian Acrobatics Troupe of China, and managing director Paco Fish has taken home awards in several Southern burlesque competitions. Other instructors draw from backgrounds in rock climbing, slacklining, acrobatics, and aerial work. Using this range of skills, they teach students the basics of Western and Chinese acrobatics, Broadway tap-dancing, modern dance, juggling, unicycling, and blends of clowning and burlesque. When not in class, staffers and students also hone their own chops as performers in seasonal dance and circus shows.
Before Bell Biv DeVoe warned that girl was “Poison,” Johnny Gill “Just Got Paid,” Ralph Tresvant boasted his “Sensitivity,” and Bobby Brown declared it was “My Prerogative,” all six new jack swingers strutted across stages as teen sensation New Edition. Fully reunited and dressed to the nines, the soulful sextet packs the 1st Mariner Center with decades of accumulated Top 10 classics and liquid dance moves. The nearly two-hour set spans the group’s entire career, from falsetto-laden classics such as “Candy Girl” and “Cool It Now” to later hits such as “If It Isn’t Love,” all mixed with stacks of tracks from their successful solo careers. This tour finds them putting on a show that's "loose, fast-paced, high-spirited, loaded with hits and personality, and thoroughly entertaining," according to the NJ.com review of a recent concert, bringing to life a catalog of songs that sticks to ears like honeycomb earmuffs. El DeBarge kicks off the evening as the opening act, coloring seductive synthesizers with his smooth tenor during dance hits such as “I Like It” and “Rhythm of the Night.”