Adapted from the popular animated film by DreamWorks, Madagascar Live! brings to life the furry adventures of the familiar cast of on-the-lam zoo animals as they break out of New York's Central Park Zoo and return to their ancestral homeland in the African isle of Madagascar. This frenetic fusion of music and dance celebrates friendship with original songs, imaginative sets, and vivid costumes, leaving audience members clamoring to stage their own inspired midmorning escapes from the carpool lane. With more than 4,000 seats—each with unobstructed views—Rosemont Theatre provides a much more stately venue to witness a dancing-animal show than the neighborhood dogs' backyard production of The Sound of Music. Seats will be located in balcony level A through S or floor level AA-HH. Ticket pick-up is available starting an hour before the performance. Groups should plan to pick up their tickets early for best chance of sitting together.
Bursting with two fully equipped dance studios and a philosophy of noncompetitive learning, Dance Center of LaGrange brings skilled teachers and a miscellany of dance types to the feet of dancers both young and old. Tykes can twirl toward the 45–60 minute summer-session classes to introduce tentative toes to preballet and creative movement (ages 3–4), learning new moves and gaining confidence while composing a rhythmic symphony with their 10-toed orchestra. The Storycise class (ages 3–5) combines storytelling and exercise to produce a hybrid fitness adventure filled with heart-pumping moves and poses that spell entire novel chapters. Teens can hit up the modern/jazz class for a medley of Broadway-style shimmying, and grown-up steppers can twist into adult tap, lacing up specialty shoes to conquer rapid routines and drum out grocery lists onto the hardwood floor.
The consortium of professional instructors at Fred Astaire Dance Studio, which was cofounded by legendary toe tapper Fred Astaire himself, shepherd students of all ages and skill levels through lessons that span the style spectrum. Patrons can learn how to cavort through classic waltz and fox-trot romps or swivel through the modern steps of salsa, swing, or mambo. For dancers hoping to hoof it up in a social setting, the Summer Dance Open House provides a one-night extravaganza of instruction, demonstrations, and amateur firewalking. During the event, guests sip complimentary glasses of white wine and nibble on snacks as they take mental notes during rumba and swing classes. Professional performances will set a fleet-footed example as guests practice steps with new and familiar partners and shimmy the night away. Apprentice foot flashers can develop their skills and confidence in three group classes, during which they'll trip the light fantastic with fellow students without tripping on the light itself.
Chicago Elevated, run by effusive improv veteran Margaret Hicks, leads curious charges on eclectic group, private, and custom tours of the city. Jaunts lead natives and tourists alike through the city’s oft-overlooked nooks and crannies as Hicks’s jovial voice narrates every step, shedding light on secret areas and easily overlooked historic sites. Her pedway tour sojourns into Chicago’s tiled subterranean antecity, where retailers, restaurants, and mole people mingle. Tours explore sites of famous disasters, visit the ghostly red-light district that once stretched below what is now Printer’s Row, and gaze at downtown’s ornate architecture from the riverwalk.
Stationed in Wrigleyville after college, Hicks accrued the healthy sense of humor and comedic timing that pepper each tour at Second City, iO, and other theaters. Though she attempted a move to New York City, Hicks soon discovered she couldn’t stay away from Chicago’s majestic skyline or the skyscrapers’ subtly receding hairlines. A stint in the Chicago Architecture Foundation’s docent program, as well as acting as a tour guide for six years, arm her with insider’s knowledge that soon transfers to listeners’ brains.
Chicago Sinfonietta was already markedly different from its counterparts when it played its first notes in 1987. Its founder and conductor Paul Freeman wanted to create a symphony that actually reflected the community in which it existed. The ensemble he formed brought together musicians from diverse racial and cultural backgrounds, who interpreted both classical pieces and forgotten compositions from composers of color. His concept proved successful—the symphony toured Europe, played the Kennedy Center twice, and produced 14 albums, all while tunefully demonstrating the universality of music.
Today, Chicago Sinfonietta continues to perform unique programs, and supports music education and professional development opportunities for members of underrepresented communities. Freeman retired from his post at the end of the 2011 season, passing the reins new music director Mei-Ann Chen, but his legacy lives on in the music of performers he helped get started, including classical-music legend Yo-Yo Ma.