Lizz Wright is a gospel-trained contralto, born in Georgia and now based in New York. As Stephen Holden of the New York Times articulates, "Her voice, luminous and smoky and perfectly pitched, is one of the most wondrous rhythm-and-blues instruments of our time." Lizz wrote the majority of her latest album, Orchard and, like her other releases, it's as smooth and mysterious as butter melting over butter. Equally as impressive are her interpretations of classics including Patsy Cline's "Strange," Ike and Tina Turner's "I Idolize You," and Led Zeppelin's Korean Conflict protest ballad, "Thank You." Mitchell Park, which allows Lizz Wright's sultry vocalizations to float to lawn-lounging ears unimpeded, also features sustenance options from Haute Taco, North Star American Bistro, Loaf & Jug, and Bella Caffe.
Since 1960, the nonprofit Sunset Playhouse has grown and flourished alongside the community who helped build it, paying them dividends in lively musicals and family-friendly classics. In Craig Lucas’s Prelude to a Kiss, Rita and Peter’s seemingly perfect wedding takes a turn as unexpected as the end of Titanic, when a mysterious old man interrupts the celebration to request a kiss from the bride. The gesture causes their souls to trade places, leaving Peter to unknowingly take a total stranger on a honeymoon. As the groom realizes his error, he seeks out his beloved, who is now trapped in an aged body, forcing the couple to navigate through unexpected challenges involving commitment, physical appearance, and arguments over how much to tip at Denny's.
The Equinox Jazz Orchestra delivers soul to the stage, paying tribute to influential songwriter Johnny Mercer. At the Mostly Mercer Show, the band aurally embraces the audience with classic American songs, including “Fools Rush In,” “Days of Wine and Roses,” and “Blues in the Night.” Ears perk up at the sound of fondly remembered tunes such as “Moon River,” a greater success than either “Star Stream” or “Orbiting Celestial Body Waterfall.” Enjoy the high-octane trumpet wails and southern groove of band leader Jeremy Davis’s professional ensemble as it performs an original arrangement of Mercer’s music, specially commissioned by the Friends of Johnny Mercer to mark the songsmith’s centennial.
Established in 1926, The Eagles Club was recognized by the National Register of Historic Places 60 years later. Today, the theater’s six distinct venues, from the vast, opulent Eagles Ballroom to the gritty and intimate Rave Bar, leave room for a half-dozen acts every night, and more on nights when the musicians spontaneously embark on solo careers midshow.
For $14, you get two adult tickets in the yellow section (rows U–Z) for the Saturday, July 2, 7 p.m. game against the Cleveland Gladiators (a $28 value). For $18, you get two adult tickets in the green section (rows J–T) for the Saturday, July 2, 7 p.m. game against the Cleveland Gladiators (a $36 value). For $30, you get two adult tickets in the orange section (rows C–H) for the Saturday, July 2, 7 p.m. game against the Cleveland Gladiators (a $60 value). For $10, you get two adult tickets in the light-blue section (back end zone) for the Friday, July 15, 7 p.m. game against the Iowa Barnstormers (a $20 value). For $14, you get two adult end-zone tickets (seated in the first seven rows) to the Friday, July 15, 7 p.m. game against the Iowa Barnstormers (a $28 value).
Teddy Roosevelt took a bullet in the chest outside the Milwaukee Theatre in 1912, but he was so enamored with the place that he plugged the hole with his thumb and marched back in to give an 80-minute speech. Built in 1909 over the same space where the Milwaukee Industrial Exposition Building once stood, the cultural center has persevered to become one of Wisconsin’s most colossal and elegant theater destinations. The venue sports two-tiered seating with optimal sightlines from each of its 4,086 patrons' seats.
During the day, the concrete heights of the Marcus Center for the Performing Arts tower over the waters of the Milwaukee River like an imposing, postmodern fortress. As night falls, however, and patrons meander toward their evening's entertainment, the building’s façade glows with colorful, scintillating lights that hint at the eclectic performances inside. The elegant Uihlein Hall regularly hosts such august organizations as the Milwaukee Symphony Orchestra and Florentine Opera Company, whereas smaller, more intimate venues such as the Todd Wehr Theater situate audiences close to the stage so they can immerse themselves in dramas or hear the wail of a set builder who smashed his thumb with a hammer.